Chiharu Shiota
Between Worlds – Istanbul
Chiharu Shiota‘s solo exhibition Between Worlds, organized on Istanbul Modern’s invitation as part of the 100th anniversary of the establishment of diplomatic relations between Japan and Türkiye, centers on the artist’s sense of being “somewhere in between.”
Chiharu Shiota’s solo exhibition “Between Worlds,” organized on Istanbul Modern’s invitation as part of the 100th anniversary of the establishment of diplomatic relations between Japan and Türkiye, centers on the artist’s sense of being “somewhere in between.” In shaping the exhibition’s conceptual framework, Shiota draws on Istanbul’s location between Asia and Europe. She is also inspired by Istanbul Modern’s location in Karaköy, one of the city’s busiest districts and home to its historic, centuries-old harbor. The artist weaves a connection between the ships docking and departing from the harbor, the passengers traveling on these ships, their stories, and her own migration story.
In her installation at Istanbul Modern, the artist wraps the entire gallery with web-like red threads and places the suitcases inside this intricate mass, emphasizing the theme of “presence in the absence.” Red, the color most frequently used by the artist, represents the flow of blood and life coursing through veins, metaphorically connecting people, emotions, and memories. Each suitcase represents an individual from the artist’s perspective. Tied together with red threads, these suitcases create a visual narrative that makes the viewer question both personal and collective themes such as home, belonging, and identity. In this manner, Shiota weaves concepts of time, space, movement, and memory into her installations, and invites the viewers to engage both physically and emotionally to complete their experience. Beyond the objects they carry, suitcases also serve as conveyors of symbols, carrying emotions and memories, bridging the past and the future.
Drawing inspiration from Istanbul’s cosmopolitan identity and the artist’s own migration story, “Between Worlds” constructs a contemplative space that invites viewers to reflect on their own lives, memories, and relationships within the broader universal context of humanity. Thus, Shiota’s universe of threads is not only visually captivating but also an invitation to delve into the labyrinth of one’s inner world.
The artist
Born in 1972 in the Japanese city of Osaka, Chiharu Shiota has been living and working in Berlin since 1997. Using woven yarn, the artist combines performance, body art and installations in a process that places at its center the body. Her protean artistic approach plays with the notions of temporality, movement and dreams, and demands a dual engagement from the viewer, both physical and emotional. In recent years, Chiharu Shiota has been widely exhibited around the world, including at the P.S.1 Contemporary Art Center, New York (2003), the New Museum of Jakarta and the SCAD Museum of Art, USA (2017), the K21 Kunstsammlung NRW, Düsseldorf (2014), the Smithsonian, Washington DC (2014) and Japan’s Kochi Museum of Art (2013). In 2015 Chiharu Shiota represented Japan at the Venice Biennale with her installation The Key in the Hand. In 2018, she is exhibiting at the Museum of Kyoto; and in 2019 she exhibited at Mori Art Museum in Tokyo throught a exhibition illuminating the artist's entire works.
