Birth | Born in 1963, in Ghent, Belgium |
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Residency | Lives and works in Noncourt-sur-le-Rongeant, Haute-Marne, France |
Education | 1986 - Royal Academy of Fine Arts, Ghent, Belgium |
2024 | La danse du mal insaisissable, Templon, Brussels, Belgium |
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2023 | The End is Never Near, S.M.A.K., Gent, Belgium Les nocturnes des bonnes vivantes, Templon, Paris, France |
2021 | La présentation des absents, Galerie Templon, Paris, France |
2020 | Le bouillon de onze heures, Galerie Templon, Brussels, Belgium |
2019 | Amore Dormiente, Galerie Templon, Brussels, Belgium |
2017 | Blumen für Angela, Galerie Karl Pfefferle, Munich, Germany |
2016 | Le jugement de Paris à Bruxelles, Galerie Daniel Templon, Paris, France |
2022 | Finis Terrae, Snijders & Rockoxhuis, Antwerp, Belgium Haarlem Heroes: Other Masters, Frans Hals Museum, Haarlem, The Netherlands 8de Biënnale van de Schilderkunst, Roger Raveel Museum, Machelen, Belgium Nadir, Laarne Castle, Laarne, Belgium |
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2020 | 7de Biënnale van de Schilderkunst - Binnenskamers, Roger Raveel Museum, Machelen, Belgium De Nacht, Group show, De Warande, Turnhout, Belgium |
2019 | Feast of Fools, Bruegel Rediscovered. Château de Gaasbeek, Lennik, Belgique |
2018 | Biennale d’Art Contemporain Autun 2018, Autun, France Sanguine / Bloedrood. Luc Tuymans on Baroque, Musée d’Art Contemporain d'Anvers, Antwerpen, Belgium Sanguine : Luc Tuymans on Baroque, Fondazione Prada, Milan, Italy Het Gouden Paviljoen – The Golden Pavilion, De Warande,Turnhout, Belgium |
2017 | ArtExpo New York 2017, New York, USA |
2016 | Uit de Collectie, SMAK, Gand, Belgium The Shop Facing the corner, Albert Baronian, Belgium |
2015 | Belgique, Galerie Daniel Templon, Paris, France A line is a line is a line, Cultuurcentrum Strombeek, Belgium |
Belfius Art Collection, Brussels, Belgium | |
Centre de la Gravure et de l’Image Imprimée, La Louvière, Belgium | |
Collection Hauser & Wirth, St-Gallen, Switzerland | |
Friedrich Christian Flick Collection, Berlin, Deutschland | |
Groeninghemuseum, Bruges, Belgium | |
IKOB, Eupen, Belgium | |
ING Collection, Brussels, Belgium |
Héritier de Manet et de Magritte, le peintre Jan Van Imschoot s'expose à Gand
Delphine Peresan-Roudil
Jan Van Imschoot - L'Échange des bêtises
Belgian painter Jan Van Imschoot opens an exhibition at Galerie Templon
De bouillon van elf urr
Le bouillon de onze heures
Group show
Stad Kortrijk Musea, Belgium
From June 29 to October 6, 2024
On the occasion of the After Paradise Triennial, the Belgian artist Jan Van Imschoot created the piece After Abraham (2006-2024) with 42 drawings in the adjoining room. The emblematic scenes are a mix of 9 original design drawings for Monument for 1302 and 31 new drawings inspired by the work of Abraham van Diepenbeeck.
Solo Show
S.M.A.K., Gent
From October 7, 2023 to March 3, 2024
Jan Van Imschoot’s retrospective exhibition The End Is Never Near at S.M.A.K. opens on October 7, 2023.
De Warande, Turnhout, Belgium
From July 1st to December 13, 2020
This spring, the Expo Hall at de Warande in Turnhout, Belgium, will host a group exhibition on a theme everyone is somehow familiar with: the night.
Before artificial light was introduced, nights were intrinsically related to darkness. Day and night were two utterly separate worlds. The night then looked like a parallel universe, with its own rituals, smells and sounds, where one could escape everyday reality, social conventions and hierarchies. Even today we still experience the night-time as a special moment. On their side, artists are often inspired by this realm which is both familiar and mysterious.
Participating artists : Nel Aerts, Fred Bervoets, John Bijnens, David Claerbout, Felix De Clercq, Bieke Depoorter and Mattias De Craene, Danny Devos, Brecht Evens, Francisco Goya, Joris Ghekiere, Harry Gruyaert, Soham Gupta, Dr. Hugo Heyrman, Wouter Huis, Pieter Jennes, Natasja Kensmil, Frans Masereel, Laetitia Molenaar, Andreas Mühe, Hans Op de Beeck, Thomas Ruff, Stefan Serneels, George Shiras, Ben Sledsens, Helmut Smits, Léon Spilliaert, Dennis Tyfus, Nele Van Canneyt, Fik van Gestel, Jan Van Imschoot, Johannes Vogl, Peter Waterschoot, Kohei Yoshiyuki.
From February 8 to May 3, 2020
S.M.A.K., Gent, Belgium
A person can never perceive truth and fiction at the same time. But there is such a thing as ‘poetic faith’ or the ‘suspension of disbelief’. While reading a novel or watching a film, we ‘believe’ in the story, however implausible it might seem. ‘Poetic faith’ is considered an essential ingredient for storytelling of any kind. The exhibition ‘Poetic Faith’ can be seen as a tribute to the power of, and belief in, the imagination. With work by Jan Van Imschoot, Shikh Sabbir Alam, Marie Cloquet, Leo Copers, Hanne Darboven, Markus Degerman, Joseph Grigely, Jorge Macchi, Bruce Nauman, Navid Nuur, Panamarenko, Giulio Paolini, Mandla Reuter, Jason Rhoades, Gil Shachar, Nedko Solakov, Birde Vanheerswynghels, Tamara Van San and Philippe Van Snick.
FONDAZIONE PRADA, MILAN, ITALYFrom 18/10/2018 to 25/02/2019
Fondazione Prada presents the exhibition “Sanguine. Luc Tuymans on Baroque”, curated by Luc Tuymans, in its Milan venue from 18 October 2018 to 25 February 2019. Organized with M KHA (Museum of Contemporary Art of Antwerp) and KMSKA (Museum of Fine Arts of Antwerp) and the City of Antwerp, the project will be featured in Milan in a new and more extensive version, following its first presentation in the Belgian city from June to September 2018. Luc Tuymans conceived an intense visual experience presenting more than 80 works by 63 international artists, including 25 exhibited exclusively at Fondazione Prada.
KASTEEL VAN GAASBEEK, PAJOTTENLAND, BELGIUMFrom 7/04/2019 to 28/07/2019
Pieter Bruegel is often seen as the embodiment of Flemish identity. Why has that been so since the revival of his work around 1900? How has he grown to become an icon, an inexhaustible source of inspiration and a huge cliché? In the exhibition ‘Feast of Fools. Bruegel Rediscovered’ the visitor becomes acquainted with a series of key works by modern masters and creations by contemporary artists who ‘have a thing for Bruegel’. They latch onto his themes, reinterpret them, quote him … and thus demonstrate that his work has lost none of its relevance.
Antwerp, Belgium
ECCE HOMO is based on a strong collaboration of Gallery GEUKENS & DE VIL with MARION DE CANNIÈRE and Belgian art-critic ERIC RINCKHOUT.
ECCE HOMO started several years ago in the mind of art historians Yasmine Geukens & Marie-Paule De Vil as a small group exhibition but evolved today into a grand event that takes place on several locations in the city of Antwerp.
OSTENDE, BELGIUMFrom 21/10/17 to 15/04/18
« The Raft. Art is (not) Lonely » will bring together 73 international artists in Oostende chosen by curators Jan Fabre and Joanna De Vos and will present 52 new creations of young and experienced artists.
The exhibition discusses the artist’s quest and the duality of the creation, based on isolation and engagement.
Artists from different generations and different paths were invited to question the link between « Le radeau de la méduse » (1818) of Théodore Géricault and Jan Fabre’s work « Le Radeau est (pas) solitaire (1986) ».
The curators have the intention to stimulate the city in order to make it (re)discovered. Besides the well-known museum, they looked for more unsual places like the Peperbusse restaurant, le
Palais de Justice, the Eurpacentrum building, the stables of the Wellington track race or the crypts of the Sint-Jozef church.
« The Raft. Art is (not) Lonely » will be an artistic journey disseminated in 22 places of the « City by the sea » .