Small Room
Following on from her two widely acclaimed exhibitions at the Mattress Factory Pittsburgh museum and Art Unlimited Basel in 2013, Japanese artist Chiharu Shiota is returning to Galerie Daniel Templon with her new project named Small Room. The artist has transformed the gallery space with a spectacular installation of hanging suitcases and miniature sculptures in woven thread.
The exhibition’s name, Small Room, refers to the words Franz Kafka wrote in the diary he kept between 1917 and 1919: “Everyone carries a room about inside them.” The visitor is invited to journey through a mental space, as though entering into a brain. At the heart of the exhibition is a huge site-specific installation created from suitcases hanging by red threads. An evocation of the notions of exile and travel, these floating objects have been liberated from their primary purpose and are free to conjure up poetic and ambiguous images for the viewer. They call forth memories and emphasise absences.
A series of small sculptures provide a counterpoint to the installations. Similar to doll’s houses, each has its own small room tucked away inside where all the secrets are kept.
Chiharu Shiota combines performance, body art and installations in a process that places the body at the centre of her sculptural work. She is famed for her vast structures in black and red wool thread that imprison various evocative objects, such as musical instruments, dolls’ dresses, shoes and beds. The graphic network that connects the elements invokes the power of interpersonal bonds, the subject’s inevitable dependency on her or his roots, the very relationships that are harmed by the individualism of modern Western culture. “The threads are woven together. They become entangled. They tear. They unravel. They are like a mirror of the emotions,” writes Chiharu Shiota.
Born in 1972 in the Japanese city of Osaka, Chiharu Shiota has been living and working in Berlin since 1997. Using woven yarn, the artist combines performance, body art and installations in a process that places at its center the body. Her protean artistic approach plays with the notions of temporality, movement and dreams, and demands a dual engagement from the viewer, both physical and emotional. In recent years, Chiharu Shiota has been widely exhibited around the world, including at the P.S.1 Contemporary Art Center, New York (2003), the New Museum of Jakarta and the SCAD Museum of Art, USA (2017), the K21 Kunstsammlung NRW, Düsseldorf (2014), the Smithsonian, Washington DC (2014) and Japan’s Kochi Museum of Art (2013). In 2015 Chiharu Shiota represented Japan at the Venice Biennale with her installation The Key in the Hand. In 2018, she is exhibiting at the Museum of Kyoto; and in 2019 she exhibited at Mori Art Museum in Tokyo throught a exhibition illuminating the artist's entire works.