Group show
Busan Biennale
Les artistes
Philippe Cognée was born in 1957 in Nantes, France, where he lives and works. His paintings use wax that is heated and crushed, producing a blurred effect and raising questions such as the thinning away of the image and the human condition in the light of humans’ relationship to their urban environment. The artist draws inspiration from photos and videos of elements such as motorways, buildings and aerial shots. His work questions the role of art in a society where new digital technologies have ushered in the era of the image, both omnipresent and diminished.
Born in 1946 in Paris, Gérard Garouste lives and works in Paris and Normandy. He is one of the leading figures in French art. As both painter and sculptor, he is obsessed by the origins of our culture, myths and the legacy left us by the old masters. His own life is the springboard for his work on ‘dismantling images and words’ and his fascination with the questions of origins, time and transmission. His paintings are born of associations of ideas. Now unsettling, now joyful, they teem with animals, some of them fantastical, and a cast of different characters. His sources range from the Bible to popular culture and literary greats, from Cervantes to Rabelais.
Born in 1974 in Mumbai, Jitish Kallat is one of the most promising artists of his generation. Jitish Kallat’s work, imbued with autobiographical, political and artistic references, forms a narrative of the cycle of life in a rapidly changing India. Weaving together strands of sociology, biology and archaeology, the artist takes an ironic and poetic look at the altered relationship between nature and culture.
Born in 1972 in the Japanese city of Osaka, Chiharu Shiota has been living and working in Berlin since 1997. Using woven yarn, the artist combines performance, body art and installations in a process that places at its center the body. Her protean artistic approach plays with the notions of temporality, movement and dreams, and demands a dual engagement from the viewer, both physical and emotional. In recent years, Chiharu Shiota has been widely exhibited around the world, including at the P.S.1 Contemporary Art Center, New York (2003), the New Museum of Jakarta and the SCAD Museum of Art, USA (2017), the K21 Kunstsammlung NRW, Düsseldorf (2014), the Smithsonian, Washington DC (2014) and Japan’s Kochi Museum of Art (2013). In 2015 Chiharu Shiota represented Japan at the Venice Biennale with her installation The Key in the Hand. In 2018, she is exhibiting at the Museum of Kyoto; and in 2019 she exhibited at Mori Art Museum in Tokyo throught a exhibition illuminating the artist's entire works.
