The works are jointly created by the two artists, Pierre as photographer and Gilles as painter. The exhibition is firmly anchored in the contemporary world, opening with a piece in homage to Ukraine, La promesse, in the war-torn country’s colours. Contrasting with the seriousness of the message, Pierre et Gilles produce a gallery of portraits that are now playful, now unsettling. References to the sacred and religious icons abound. Carefully staged and more complex than ever, the portraits feature unknown as well as familiar faces, from Tahar Rahim to Silly Boy Blue.

Together the artists invent new archetypes: young apollos surrounded by pink flamingos, eroticised biblical characters, cursed lovers and nostalgic sailors.

Discreetly, almost imperceptibly, Pierre et Gilles evoke many of the questions facing society today, from sexual identity issues to the phenomena of social exclusion, religious tolerance, the war in Ukraine, global warming and pollution of the oceans. The ambiguity of their art, lying somewhere between painting and photography, illusion and realism, offers a nuanced vehicle for conveying a message of tolerance in an era torn apart by conflicts and inequalities.