Birth | Born in 1972 in Osaka, Japan |
---|---|
Residence | Lives and works in Berlin, Germany |
Education | 2011 - California College of the Arts (Guest Professor) 2010 – 13 Kyoto Seika University (Guest Professor) 1993 – 03 Universität der Künste, Berlin, Germany 1997 – 99 Hochschule für Bildende Künste, Braunschweig, Germany 1993 – 94 exchange semester at The Australian National University School of Art, Canberra, Australia 1992 – 96 Kyoto Seika University, Japan |
2025 | The World Is Yours, Fundación Casa Wabi, Mexico City, Mexico |
---|---|
2024 | At the Edge of Fate, Jupiter Museum of Art, Shenzhen, China |
Another Planet, A4 Art Museum, Chendu, China | |
I to Eye, Nakanoshima Museum of Art, Osaka, Japan | |
Beyond Consciousness, Musée du Pavillon de Vendôme, Musée des Tapisseries, Chapelle de la Visitation, Aix-en-Provencec, France | |
Wo sind wir jetz ?, KULTURE IM FLUSS, Bad Ischl, Austria | |
The soul Trembles, Grand Palais, Paris, France |
2023 | KAFKA: 1924, Museum Villa Stuck, Munich, Germany |
---|---|
Franz Kafka : 1924, Museum Villa Stuck, Munich, Germany | |
Number, Schloß Tarasp, Switzerland | |
Kyoto Seika University 55th Anniversary Exhibition : FATHOM, Kyoto Seija University Gallery Terra-S, Kyoto, Japan | |
Narrative Threads: Fiber Art Today, Moody Center for the Arts, Rice University, Houston, Texas, USA | |
2022 | JAPAN. BODY_PERFORM_LIVE, group show, PAC Padiglione d’Àrte Contemporanea, Milan, Italy |
BAB 2022 Chaos:Calm, Bangkok, Thailand |
2018 | Götterdämmerung, stage design with Anna Myga Kasten Opera by Richard Wagner, directed by Daniel Karasek, production by Theater Kiel, Opernhaus Kiel, Germany |
---|---|
2017 | Siegfried, stage design Opera by Richard Wagner, directed by Daniel Karasek, production by Theater Kiel, Opernhaus Kiel, Germany |
2016 | Das Wintermärchen, stage design, play by William Shakespeare (The Winter’s Tale), directed by Daniel Karasek, production by Theater Kiel, Schauspielhaus Kiel, Germany alif::split in the wall - a musical exhibition space, installation, artistic direction by Jeremias Schwarzer, production by Zafraan Ensemble, bastille musique, Sebastian Solte Radialsystem V, Berlin, Germany |
2014 | Tristan und Isolde, stage design , Opera by Richard Wagner, directed by Daniel Karasek , production by Theater Kiel, Opernhaus Kiel, Kiel, Germany |
2011 | Matsukaze, stage design with Pia Maier Schriever, Opera by Toshio Hosokawa, directed and choreographed by Sasha Waltz, production by Sasha Waltz & Guest, commissioned by Théâtre Royal de la Monnaie, Brussels, in cooperation with Grand Théâtre de Luxembourg, Teatr Wielki – Polish National Opera and in cooperation with Berliner Staatsoper |
2009 | Oedipus Rex, stage design, Directed and Choreographed by Constanza Macras, production by Constanza Macras | DorkyPark and HELLERAU Dresden, cooperation with Hebbel am Ufer Berlin and Théâtre de la Place Liege Tattoo, stage design, written by Dea Loher, directed and Choreographed by Toshiki Okada Production by New National Theatre Tokyo, Japan |
2019 | The Kyoto Prefecture Akebono Award Academy of Fine Arts Prize of the Simone Foundation and Cino Del Duca 4th BVlGARI Rolla Award (Japan) |
---|---|
2018 | The 11th Bacon Prize 2018, the A.R.T. foundation (Japan) |
2012 | The Audience Choice, at the First Kyiv International Biennale of Contemporary Art (Ukraine) |
2009 | Distinguished Service Medal, Kyoto Seika University, Kyoto, Japan Docks Art Fair – Prix de la culture Montblanc, Lyon, France |
2008 | Encouragement award for the new artists of the Ministry of Culture, Japan Award Sakuya Kono Hana, Osaka, Japan |
2005 | Agency for Cultural Affairs (Bunka-cho), Japan |
2004 | Arbeitsstipendium Bildende Kunst Senatsverwaltung für Wissenschaft, Forschung und Kultur, Berlin, Germany |
2022 | Chiharu Shiota, The Invisible Line, published by ARoS Aarhus Kunstmuseum, Denmark |
---|---|
Carte Blanche à Chiharu Shiota, Musée national des arts asiatiques – Guimet, RMN – Grand Palais editions, Paris | |
Chiharu Shiota, Multiple Realities, published by Frederiksberg Muserne, Denmark | |
2021 | The Soul Trembles, Mori Art Museum Editions, Tokyo, Japan |
Chiharu Shiota, Tracing Boundaries, published by Espoo Museum of Modern Art, Espoo, Finland | |
2019 | Chiharu Shiota Gedankenlinen / Line of Thought, published by Dr. Andrea Firmenich for Museum Sinclair-Haus, Stiftung Nantesbuch, Germany |
2018 | Chiharu Shiota, Art Jameel editions, Dubai, United Arab Emirates Chiharu Shiota, Art Gallery of South Australia, Adelaide, Australia Chiharu Shiota, Beyond Time, Yorkshire Sculpture Park, Yorkshire, United Kingdom Dekalog / Lost Words, Kerber Verlang editions, Bielefield, Berlin, Germany |
Art Gallery of South Australia, Adelaide, Australia | |
Centre PasquArt, Bienne, Switzerland | |
Detached, Hobart, Tasmania, Australia | |
Fukuoka Asian Art Museum, Fukuoka, Japan | |
Jupiter Museum of Art, Shenzhen, China | |
Kiasma, Helsinki, Finland | |
Le Bon Marché Rive Gauche (collection LVMH), Paris, France |
La laine, c'est "in" : trois expositions ou le textile est a l'honneur a decouvrir a Paris
La vie sur un fil
Dans les fils de Chiharu Shiota
Chiharu Shiota Fair tanguer le Grand Palais, a Paris
Chiharu Shiota, The Soul Trembles, une exposition au Grand Palais
Valérie Guédot
L'artiste et performeuse japonaise signe l'étiquette de Château Mouton Rothschild 2021
Sous la peau de Chiharu Shiota
Chiharu Shiota - Memory Under the Skin
Chiharu Shiota: Memory Under the Skin
Le fil rouge de la mémoire
Web-Spinning Artist Chiharu Shiota Creates Moving And Haunting Installations
Step inside Chiharu Shiota's doll's house
Chiharu Shiota 'Black Rain", Daniel Templon
Chiharu Shiota
Venise cuvée 2015
A global 'parliament of forms'
Venise inondée d'art contemporain
Une Biennale de Venise placée sous le signe de la nature
Biennale de venise, l'Asie en force
56th Venice Biennale review - more of a glum trudge then an exhilarating adventure
First look at the pavillons: seven national presentations of note in the Giardini
Review: What to see and what to avoid at the Venice Biennale
Chiharu Shiota
12 pavillons à ne pas manquer
Les voyages de Chiharu Shiota
Dans les filets de Chiharu Shiota
Le plus beau musée du Monde - Art Unlimited 2013
Florence Millioud Henriques
Chiharu Shiota
ELGIZ MUSEUM, ISTANBUL, TURKEY From 5/12/2017 to 30/04/2018
Elgiz Museum presents a new selection from the collection: In Fact. The exhibition focuses on the concepts of representation and the act of referring. In Fact includes works of different media and investigates the models of representation through the referred. How do we re-evaluate the increasingly impossible act of representation in the current post-truth era we face today; through constructed identities and the perception of social identity? The hollow dress titled State of Being by Chiharu Shiota, who represented the Japanese Pavillion at the previous Venice Biennale, bundles up a reality we know that exists, but is indescribable. With : Ragip Basmazolmez, Ramazan Bayrakoğlu, Tracey Emın, Ozlem Günyol, Liu Chun Hai, Thomas Houseago, Bengü Karaduman, Ihsan Oturmak, Jım Shaw, Cındy Sherman, Chıharu Shıota, Tunca, Hale Tenger, Gavın Turk, Erwın Wurm, Pan Yue.
OSTENDE, BELGIUMFrom 21/10/17 to 15/04/18
« The Raft. Art is (not) Lonely » will bring together 73 international artists in Oostende chosen by curators Jan Fabre and Joanna De Vos and will present 52 new creations of young and experienced artists.
The exhibition discusses the artist’s quest and the duality of the creation, based on isolation and engagement.
Artists from different generations and different paths were invited to question the link between « Le radeau de la méduse » (1818) of Théodore Géricault and Jan Fabre’s work « Le Radeau est (pas) solitaire (1986) ».
The curators have the intention to stimulate the city in order to make it (re)discovered. Besides the well-known museum, they looked for more unsual places like the Peperbusse restaurant, le
Palais de Justice, the Eurpacentrum building, the stables of the Wellington track race or the crypts of the Sint-Jozef church.
« The Raft. Art is (not) Lonely » will be an artistic journey disseminated in 22 places of the « City by the sea » .
MUSEUM FÜR NEUE KUNST, FREIBURG, GERMANYFrom 14/10/2017 to 15/04/2017
How can art endure, age, change? How can the museum design and cultivate relationships with artists, as well as with private and public partners? Indeed, how can it use and enrich the history of its own collection? How can the collection be developed and extended in future? Both in good times and in bad? A new special exhibition will address these questions, focussing in particular on one influential feature of the museum as a public site: it undertakes a responsibility over a long period, promoting discourse and fostering connections and relationships.
Five artists from the contemporary collection – Monika Baer, Katharina Grosse, Svenja Kreh, Chiharu Shiota and Georg Winter – were asked for suggestions regarding which artist or which work they consider to a be fitting counterpart for their work. Not only does the Museum für Neue Kunst listen to these opinions, it also accords them a lot of weight. What has emerged from these consultations are a number of exciting and unusual connections, dissonances and collaborations which will be on show for a period of six months.
This experimental format permits the museum to reflect upon its collection and readjust the paradigms and perspectives that attend it. At the same time, it represents an opportunity for a fresh approach to the museum’s duties: collecting, conserving, researching, exhibiting and educating.
Curated by Christine Litz & Elena Frickmann
NIKOLAIKIRCHE, BERLINFrom 29/09/17 to 10/11/17
Chiharu Shiota presents a major new site specific installation in Berlin’s oldest church, Nikolaikirche, ’Lost Words’, relating to the 500th anniversary of Protestant Reformation and commissioned by the capital’s museum Stadtmuseumberlin
EGLISE SAINT JOSEPH, LE HAVRE, FRANCE From 5/27/2017 to 10/08/2017
“In spring 2017, as Le Havre marks its 500th anniversary, visual artists, designers, graphic artists, stage directors, novelists, will follow in the wake of Niemeyer and Monet to reinterpret this surprising city. Japanese artist Chiharu Shiota has been invited to invest architect Auguste Perret’s famous St Joseph Church. A whirlpool of red threads densely woven, irradiate the church concrete nave . An “Accumulation of power » which, as a black hole, grasps the spiritual powers concentrated in the buildings. “A church is a place also for spiritual energy even for people who are not religious. In my mind, every person in life has his/her own place of power. The red whirlpool construction embodies an accumulation of spiritual power. In this construction, all ideas, thoughts and prayers of people having been in the church are accumulated, like in a storm » the artist explains. Artistic director of A Summer in Le Havre : Jean Blaise.
INSTITUT CULTUREL BERNARD MAGREZ, BORDEAUX, FRANCEFrom 3/09/2017 to 6/25/2017
On the 9th of March 2017, the Cultural Institute Bernard Magrez, leading centre for arts and culture in Bordeaux, pays tribute to Daniel Templon through an important exhibition organised at the Château Labottière. With over 600 exhibitions and 250 artists, the world-renowned French galerist, always knew to pay particular attention to the artistic avant-garde. The exhibition, portrays Daniel Templon, pioneer and major figure of the art world, featuring five major artists of his gallery, offering different artistic styles: Philippe Cognée, Jan Fabre, Pierre et Gilles, Yue Minjun and Chiharu Shiota.
LE BON MARCHE RIVE GAUCHE, PARIS, FRANCEFrom 1/14/2017 to 4/02/2017
Le Bon Marché Rive Gauche is honoured to be welcoming Chiharu Shiota and her outstanding exhibition in the heart of the department store. Famed for her vast in situ installations in wool thread and the evocative impact of her works, the artist has exploited her carte blanche with the intensity you would expect. “Where are we going?” invites us to be amazed, but also to question an intrinsic element of Chiharu Shiota’s work. In this new installation, Chiharu Shiota establishes an analogy between human life and travel : people set off for an unknown destination, crossing an ocean of experiences, emotions, encounters and memories. At the suggestion of le Bon Marché Rive Gauche, Chiharu Shiota has used white-coloured yarn for the very first time in an installation. The artist evokes the purity of a fresh start, while keeping the itineraries open: “Life is a voyage with no destination”.
TEL AVIV MUSEUM OF ART, TEL AVIV, ISRAELFrom 12/16/2016 to 05/06/2017
The exhibition juxtaposes Giovanni Battista Piranesi’s series of prints “Carceri d’invenzione,” from ca. 1761, with Japanese artist Chiharu Shiota’s 2012 installation Stairway: a web of black threads featuring a staircase. Shiota’s heaped yarns create hatches and spaces reminiscent of etching and of Piranesi’s architectural fantasy spaces. The culture-dependent prisons of passion and nightmares exist in the artists’ imagination and incarcerate dreams and memories.
Curator : Emanuela Calò