Birth | Born in 1936 in Nîmes, France |
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Residency | He lives and works in Nîmes, France |
Education | 1955 – 1959, Ecole des Beaux-Arts, Montpellier, France 1962 – 1963, Ecole supérieure des Beaux-Arts, Paris, France |
2024 | Tout est pour le mieux, Bund Art Center, Shanghai, China Le retour de Claude Viallat, Kunming Museum of Contemporary Art, Kunming, China Made in Nîmes, TEMPLON, New York, USA |
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2023 | Hommage à la couleur - Toiles 1966-2023, TEMPLON, Paris, France Et pourtant si…, Carré d’Art, Nîmes, France Quelques pas de côté, TEMPLON, Brussels, Belgium |
2022 | Formes en Vrac, Sainte-Marie Chapel, Annonay, France Libertad de Colores, MACBA Buenos Aires, Argentina Claude Viallat, Hôtel Richer de Belleval, Montpellier, France Éclectique, Bonisson Art Center, Rognes, France Claude Viallat, Médiathèque de Vauvert, Vauvert, France Claude Viallat, Maison Elsa Triolet-Aragon, Saint-Arnoult-en-Yvelines, France |
2021 | Claude Viallat : Expandend painting in the 1960’s and 1970’s, Philadelphia Museum of Art, Philadelphia, USA Sutures et Varia, TEMPLON, Paris, France |
2019 | Viallat Sérigraphie, Centre Culturel Bérenger de Frédol, Villeneuve-les-Maguelone, France Malereien, Kajetan Gallery, Berlin, Germany Claude Viallat, Venet Foundation, Le Muy, France Re-commencer, La halle des Bouchers, Vienne, France |
2018 | Les échelles de Nîmes, TEMPLON, Brussels, Belgium Claude Viallat, Galerie Ceysson & Bénétière, Luxembourg El Horizonte del Color, Hotel Hilton, Panama City, Panama Art Basel Unlimited, TEMPLON, Basel, Switzerland Inside and Outside, HdM Gallery, Beijing, China |
2017 | La peinture à perte de vue, Casa França - Brasil, Rio de Janeiro, Brazil Toiles, Objets, Filets, L'aspirateur, Narbonne, France In situ, Palais des archevêques, Narbonne, France |
2024 | Encore et encore, rituels d’artistes, Maison des Arts de Schaerbeek, Brussels, Belgium |
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2023 | Amour Systémique, Capc musée d’art contemporain, Bordeaux, France La Répétition, Centre Pompidou-Metz, Metz, France |
2022 | VIALLAT/SAYTOUR, Presbytery of Aubais, Aubais, France Collection Collective ACMCM, à cent mètres du centre du monde / Centre d’Art Contemporain, Perpignan, France Tribute to Jacques Girard, Ombres Blanches, Toulouse, France Tauromachies, Mouriès, France |
2021 | Supports/Surfaces : Abstractions plurielles 1950-1980, Musée d’art de Pully, Pully, Switzerland Supports/Surfaces : Viallat & Saytour, Musée National d’Art et d’Histoire, Luxembourg, Luxembourg Expanded painting in the 1960’s and 1970’s, Philadelphia Museum of Art, Philadelphia, USA Les murs reculent, Musée Matisse, Nice, France |
2019 | East West Jazz - André-Pierre Arnal, Patrick Saytour, Claude Viallat, Musée Pouchkine, Moscou, Russie Mare Nostrum: Identités Méditerranéennes, Espace Monte Cristo, Fondation Villa Datris, Paris, France Histoire de l’art cherche personnage..., CAPC Bordeaux, France Unfurled : Supports/Surfaces 1966-1976, MOCAD, Detroit, Etats-Unis Vingt-quatre heures de la vie d’une femme – Musée d’art contemporain, Saint-Etienne, France Un autre œil d’Apollinaire à aujourd’hui, LAAC Dunkerque, France Gigantisme – Art et Industrie, FRAC Grand Large Hauts-de-France, Dunkerque, France Supports/Surfaces, Tsinghua Art Museum, Pékin, China Pattern, décoration et crime, Le Consortium, Dijon, France La composante Peintures, FRAC Bretagne, Rennes, France |
2018 | Images en lutte, Beaux-Arts, Paris, France School of Nice from Pop Art to happenings, City Hall, Hong Kong, China La Méditerranée et l'art moderne, Musée Mohammed VI, Rabat, Maroc Nous aussi nous aimons l'art, Institut du Monde Arabe, Paris, France |
2017 | École(s) de Nice 1947 - 1967, MAMAC, Nice, France The Surface of the East coast, Le 109, Nice, France Supports/Surfaces, les origines 1966-1970, Carré d'Art, Nîmes, France |
Centre Georges Pompidou, Paris, France | |
Musée d'Art Moderne de la Ville de Paris, Paris, France | |
Musée d'Art Moderne de Saint-Etienne, France | |
Carré d'Art, Musée d'Art Moderne de Nîmes, France | |
Musée Cantini, Marseille, France | |
Musée d'Art Contemporain de Nice, France | |
Musée d'Art Moderne de Strasbourg, France |
What to See in N.Y.C galleries in April
Blake Gopnik - Roberta Smith - Max Lakin
Claude Viallat, peintre : "Je ponctue l'espace, je marque un tempo"
Les surfaces souveraines de Claude Viallat
Gwennaëlle Gribaumont
Claude Viallat - Sutures et varia
Un week-end haut en couleur avec Mika, Gainsbourg et Viallat...
Sophie De Santis
Claude Viallat essence et négation
Claude Viallat, l'euphorie des années 1980
LE CONSORTIUM, DIJON, FRANCEFrom 16/05/2019 to 20/10/2019
Le Consortium examines in this large group exhibition the “Pattern & Decoration” movement, formed in the 1970s and that enjoyed international success in the 1980s. Most of the artists involved were reacting against the dominance of abstract schools in the Post-War era, with a particular opposition to Minimal and Conceptual art. The group organized around “pattern and decoration” reconnected with what was widely perceived as “minor” art forms and asserted decoration as the true repressed of modernity. The exhibition, co-organized with MAMCO in Geneva, also includes several pieces by artists associated with the Supports/Surfaces group: Noël Dolla and Claude Viallat.
FRAC GRAND LARGE - HAUTS DE FRANCE, DUNKERQUE, FRANCEFrom 4/05/2019 to 5/01/2020
GIGANTISM – ART & INDUSTRIE is an original collective initiative on the territory of Hauts-de-France, in Dunkerque: the creation of a new triennial art and design in Europe.
From May 4, 2019, an exhibition of off-scale installations created for the occasion, of in situ works, sculptures, paintings, films and performances will embody encounters between artists, engineers, designers and architects. It will unfold on different exhibition venues and urban and port sites. An original journey that rethinks at the level of the landscape of Dunkerque a history of European modernity from 1947 to the present day; between living heritage and contemporary creation.
FRAC BRETAGNE, RENNES, FRANCEFrom 30/03/2019 to 26/05/2019
From a selection of paintings from the Frac Bretagne collection, the exhibition creates five connections with no other ambition than to interpret a posteriori and to show the reasons why these works were chosen to appear in one of the important ensembles of the Frac Bretagne.
MUSEUM OF CONTEMPORARY ART DETROIT, DETROIT, USAFrom 01/02/2019 to 21/04/2019
The Museum of Contemporary Art Detroit will present the first exhibition in the Midwest and most comprehensive show to date of the French art movement Supports/Surfaces. This group of fourteen artists, along with several others who were closely affiliated, lived and worked in the south of France, producing artwork marked by an interest in materiality, a lyrical use of color and expansive ideas of what constitutes a painting. French society was undergoing social protests and upheavals in the 1960s that mirrored the civil rights and anti-war movements in the USA. The Supports/Surfaces artists sought new forms and methods to reflect their times: standard art materials were dropped in favor of homespun non-art materials (bed sheets, rope, dish rags) and figuration was replaced by loose, permeable grids that hinted at a more democratic method of art-making and a proposal for humane society. Curated by Wallace Whitney
MAMC, SAINT ETIENNE, FRANCE From 01/01/2019 to 22/09/2019
250 works novelize the intimate and the universal. The exhibition Vingt-quatre heures de la vie d’une femme (twenty-four hours of a woman’s life) tells the story of an imaginary and multiple day. Paintings, sculptures, drawings, photographs and objects of design illustrate this fiction of everyday life, from awakening to dreaming. The works are presented differently, in a spirit closer to everyone’s everyday life, reconnecting art to the present. It’s about telling another history of art: a history of emotions and life.
MUSEE FABRE, MONTPELLIER, FRANCE From 24/03/2018 to 02/09/2018
CARRE D’ART DE NIMES, FRANCEFrom 13/10/2017 to 31/12/2017
The exhibition Supports/Surfaces: the Beginning, 1966–1970 shows which process took over the course of the 1960s up to the creation of the group. In order to gain an understanding of the short-lived but important Supports/Surfaces movement, one must plunge oneself into the years of research, confrontations and oppositions that led up to it. These four years were a time of intense and wonderful artistic effervescence in the midst of a period marked by the social and political upheavals of the events of May 1968. An examination of this history from its origins enables us to gain a new perspective on the movement by focusing on these years marked by the jubilation of artists in the midst of reinventing their work from the ground up.
The exhibition brings together major works of this period, some which have not been shown since that time, and provides insight into the profound questioning that lay behind the creations over the course of these key years: the deconstruction of painting, confrontation with Nouveau Réalisme (“New Realism”) and the certain death of painting, external exhibition, the placement of works in space, the importance of the object and its manipulation.
With Avec André-Pierre Arnal, Vincent Bioulès, Louis Cane, Marc Devade, Daniel Dezeuze, Noël Dolla, Toni Grand, Bernard Pagès, Jean-Pierre Pincemin, Patrick Saytour, André Valensi et Claude Viallat.
LE 109, NICE, FRANCEFrom 6/23/2017 to 10/15/2017
‘The Surface of the East Coast. From Nice to New York’ will be gathering more than 70 works of artists from the Supports/Surfaces movement and from the New York new art scene, aiming to establish a dialogue between two different countries and generations,by showing how they can echo,feed on each other,and today tackle new formal issues and trains of thought. Curator : Marie Maertens With Justin Adian – André-Pierre Arnal – Mark Barrow & Sarah Parke – Vincent Bioulès – Anna Betbeze – Joe Bradley – Sarah Braman – Pierre Buraglio – Louis Cane – Marc Devade – Daniel Dezeuze – Noël Dolla – Adam Henry – Jacob Kassay – Lucas Knipscher – Erik Lindman – Landon Metz – Sam Moyer – Bernard Pagès – Jean-Pierre Pincemin – Patrick Saytour – Gedi Sibony – André Valensi – Claude Viallat. A bilingual catalogue will be published by Editions cercle d’art on the occasion of the show.