Birth | Edward Kienholz Born in 1927, Fairfield (Washington), USA Dead in 1994, Sandpoint, Idaho, USA Nancy Reddin Kienholz Born in 1943, Los Angeles, USA Dead in 2019, Houston, USA |
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Artworks and exhibitions prior to 1972 are by Edward Kienholz. From 1972 onward, all artworks are coauthored by and exhibitions are collaborations of Edward Kienholz and Nancy Reddin Kienholz. |
2022 | Ed & Nancy Kienholz, Galerie Templon, Brussels, Belgium |
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2020 | Ed & Nancy Kienholz, Galerie Templon, Paris, France |
2019-2020 | Edward and Nancy Kienholz: The Merry-Go-World or Begat by Chance and the Wonder Horse Trigger, L.A. Louver, Venice, CA, USA |
2018 | Edward Kienholz: America My Hometown, Blain | Southern, London, UK |
2017-2018 | Edward and Nancy Kienholz: A selection of works from 1982-1992, ICA Miami, Miami, FL, USA |
2016 | Kienholz: Five Car Stud, curated by Germano Celant, Fondazione Prada, Milan, Italy Kienholz Televisions, L.A. Louver, Venice, CA, USA Edward & Nancy Kienholz: A Selection of Works from the Betty and Monte Factor Family Collection, Sprüth Magers, London, UK |
2014 | Ed and Nancy Kienholz: BERLIN/HOPE, L.A. Louver, Venice, USA Septet - Un Kienholz d’exception, Galerie de France, Paris, France |
2021 | documenta. Politics and Art, Deutsches Historisches Museum, Berlin, Germany Angespannte Zustände - Tense Conditions, Staatsgalerie Stuttgart, Stuttgart, Germany |
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2020 | UNTITLED, 2020, Punta della Dogana - Pinault Collection, Palazzo Grassi, Venice, Italy |
2019 | The Red Bean Grows in the South, Faurschou New York, New York, NY, USA Twilight Zone, Kunsten Museum of Modern Art, Aalborg, Denmark Artists Respond: American Art and the Vietnam War, 1965-1975, curated by Melissa Ho, Smithsonian American Art Museum, Washington, D.C., USA Dirty Protest: Selections from the Hammer Contemporary Collection, Hammer Museum, Los Angeles, CA, USA |
2018 | Sanguine/Bloedrood. Luc Tuymans on Baroque, curated by Luc Tuymans, Museum of Contemporary Art, Antwerp, Belgium Like Life: Sculpture, Color, and the Body (1300–Now), The Met Breuer, New York, NY, USA Travelers Stepping into the Unknown, The National Museum of Art, Osaka, Japan Collection of Fondazione Prada, Torre Installation, Fondazione Prada, Milan, Italy Evolver, L.A. Louver, Venice, CA, USA |
2017 | An Incomplete History of Protest: Selections from the Whitney's Collection, 1940-2017, Whitney Museum of American Art, New York, NY, USA |
2016 | Los Angeles to New York: Dwan Gallery, 1959–1971, curated by James Meyer and Paige Rozanski, National Gallery of Art, Washington; traveled to Los Angeles County Museum of Art, Los Angeles, USA No Man is an Island - The Satanic Verses, ARoS Aarhus Kunstmuseum, Arhus, Denmark Tinseltown in the Rain: The Surrealist Diaspora in Los Angeles 1935-1969, Richard Telles Fine Art, Los Angeles, CA, USA |
2015 | Collecting and Sharing: Trevor Fairbrother, John T. Kirk, and the Hood Museum of Art, The Hood Museum of Art, Hanover, NH, USA Drawing in L.A.: The 1960s and 70s, Los Angeles County Museum of Art, Los Angeles, USA An Introduction, Fondazione Prada, Milan, Italy Arts & Foods: Rituals since 1851, curated by Germano Celant, Expo Milan, Fondazione La Triennale di Milano, Milan, Italy The Gentle Way (JUDO), curated by Zak Kitnick, Clifton Benevento, New York, NY, USA |
1997 | College Art Association, Award for Distinguished Body of Work, Exhibition, Presentation, or Performance for the exhibition Kienholz: A Retrospective, organized by the Whitney Museum of American Art, New York, USA |
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1976 | Guggenheim Fellowship for Creative Arts |
1973 | The German Academic Exchange Program (DAAD) awards the artist a stipend and studio in which to work in West Berlin |
Aarhus Museum of Art, Aarhus, Denmark | |
Ateneum Art Museum, Helsinki, Finland | |
Berlinische Galerie, Berlin, Germany | |
Cantor Center, Stanford University, Stanford, CA, USA | |
Centraal Museum, Utrecht, The Netherlands | |
Centre Pompidou, Paris, France | |
CODA, Apeldoorn, Netherlands |
Ed et Nancy Kienholz
Ed et Nancy Kienholz
Galerie Templon is delighted to announce that it is representing the work of American artists Edward and Nancy Kienholz in Europe. Edward Kienholz (1927-1994) began his career as a solo, self-taught artist in 1953 in Los Angeles where he headed avant-garde galleries before meeting his partner, Nancy Reddin Kienholz (1943-2019). Together they formed a creative, highly driven entity. Their artistic engagement was rooted in visual shock and a marked but unfailingly subtle and elusive denunciation. While certain works convey a sense of muffled rage, others are less didactic, leaving the viewer wholly free to draw their own conclusions. Their art expresses fierce criticism of the dysfunctionalities of American society: unbridled consumerism, everyday racism, sexism, structural violence and religious hypocrisy. From 5 September to 24 October 2020, Galerie Templon is shining a spotlight on the Kienholz couple with the largest ever exhibition of their work. The show in the gallery’s Grenier Saint-Lazare space will present around twenty of their pieces created between 1978 and 1994, some of them for the first time in Europe.