Birth | Born in 1972 in Santiago, Chile |
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Residency | Lives and works in New York, USA |
Education | 1991-1995, BFA, Pontificia Universidad Católica of Chile. Santiago, Chile. |
2025 | TEMPLON, Paris, France |
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2024 | Reloj Solar, Galeria Madre, Santiago, Chile |
2023 | Silent Homeless Lamp, installation temporaire, Sunset Boulvard, Los Angeles, USA |
Iván Navarro, Peninsula Hotel, New York, USA | |
Eccidio, MicroMuseo di Arte Contemporanea della Tuscia, Viterbo, Italy | |
2022 | Celestialand, TEMPLON, New York, USA |
Thunder, Martin Asbaek Gallery in collaboration with TEMPLON, Copenhagen, Denmark |
2024 | Glow : Neon and Light, Akron Art Museul, Ohio, USA Light Sound Senses, Heidi Horten Collection, Vienna, Austria |
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Refaire le monde, Festival de la Francophonie, Gaîté Lyrique, Paris, France | |
Under Pressure, Poli/Gráfica, Puerto Rico | |
Au bout de mes rêves, La Tripostal, Lille, France | |
La Conciencia Brillante, CristalLlíquido y Pantallas Expandidas, CAB - Centro de Arte Caja de Burgos, Burgos, Spain | |
Enlazando Mundos, Palacio de Bellas Artes, Museo de Arte Moderno de Santo Domingo, Santo Domingo, Dominican Republic | |
Bajo presión / Under Pressure, Poli/Gráfica de Puerto Rico: América Latina y el Carib, Antiguo Arsenal de la Marina Española, Puerto Rico |
Musée Thyssen, Madrid, Spain | |
21C Museum, Louisville, USA | |
The Bangkok EDITION, Bangkok, Thailand | |
Borusan Contemporary, Istanbul, Turkey | |
Caldic Collection, Rotterdam, The Netherlands | |
Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain | |
CENTRO University, Mexico City, Mexico |
2025 | Permanent installation at Metro station Villejuif Institut Gustave Roussy, (collaboration with architect Dominique Perrault), Grand Paris Express, Paris, France |
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2023 | The Grand Paris Express project has been awarded the Veronica Rudge Green Prize for urban design by Harvard University (GSD), Boston, USA |
2021 | Memorial, Santiago, Chile |
2020 | The Ladder, public art installation, San Francisco, USA |
2019 | Residency at CCA Andraxt, Mallorca, Spain |
Video Screening “Homeless Lamp, The Juice Sucker” at MACRO MUSEUM, Rome, Italy | |
Artist Talk, Puerto Ideas, Valparaíso, Chile |
2024 | Vid Vida Vidajena, (collaboration with Courtney Smith) La Capilla Azul Chiloé, Chile |
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2023 | Tierra Sin Tierra, (in collaboration with Hueso Records) Teatro Italia, Chaco |
Las Ramas, (collaboration with Courtney Smith) Tierra Sin Tierra, Teatro Italia, Chaco | |
El Paso (collaboration with Courtney Smith), Hawuapi – PS122, New York, USA | |
2022 | Panorama (collaboration with Courtney Smith), Van Alen Institute, Brooklyn, USA |
Girasol, (collaboration with Courtney Smith), Revolver, New York, USA | |
Remolino De Suerte (collaboration with Courtney Smith), Van Alen Institute, Brooklyn, USA |
2025 | Cadran Solaire, Grand Paris Express, Permanent installation at Metro station |
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Villejuif Institut Gustave Roussy, in collaboration with architect Dominique Perrault Paris, France | |
2023 | Landless Land, Moving Image Media Art, City of West Hollywood, Los Angeles, USA |
2022 | Cohecho, Centro de Documentación de las Artes Visuales, Santiago, Chile |
This land is Your Land, Art-OMI, Ghent, New York, USA | |
2021 | Un Río de Sangre, Rio Mapocho, Festival Santiago a Mil, Santiago, Chile |
2020 | This Land is Your Land, The Momentary, Bentonville, Arkansas, USA |
Iván Navarro, Land Mark, Archivorum, Berlin and Kodoji Press, Baden, 2022 | |
Iván Navarro, Welcome, Editions TEMPLON and Skira, 2020 | |
Iván Navarro, Espejos y Espejismos – Mirrors and Mirages, Editions Manuel Cirauqui, 2017 | |
Iván Navarro, Una guerra silenciosa e imposible, CorpArtes, Santigo de Chile, 2015 | |
Iván Navarro, Threshold, Venice Biennale, Charta, Venice, 2009 | |
Iván Navarro, Editions TEMPLON, Paris, 2007 |
Iván Navarro : lumière nuit
Jean-Paul Gavard-Perret
Navarro's sculptures navigate economic, political connotations of daily life
Les constellations d'Iván Navarro
Iván Navarro's cosmic sculptures illuminate dark forces
Illuminate SF Brightens Up Winter Nights
Iván Navarro, abîmes électriques
Ivan Navarro's The Ladder
Prostutopia
Ivan Navarro: Prostutopia
A conversation with Ivan Navarro
Des mises en abîme à la lumière des néons
La lumière crue
Shining a light on History
Iván Navarro: Where is the next war?
Iván Navarro: Man of Refraction
Iván Navarro : Lighting up the Armory Show
Iván Navarro
Une longueur d'avance
The end of the tunnel
Iván Navarro, l'être et le néon
Iván Navarro: Antifurniture
Entropology
Ithra Museum
8386 Ring Rd, Gharb Al Dhahran, Dhahran, Saudi Arabia
From June 24, 2021 to March 26, 2022
« Seeing & Perceiving » is an exhibition that challenges the viewer to question their reality. It encourages them to explore and perceive art in different ways and from different angles. With a critical thinking approach, it highlights the importance of how necessary it is for all of us to reflect, assimilate and take part in a dialogue about what is surrounding us. Ithra brings an exponential selection of highly recognized artists from the international and regional contemporary art scene to re-imagine the viewer’s perspective and their own perception. Drawn from Ithra’s art collection, this exhibition showcases a series of newly commissioned artwork, as well as site specifics and artworks on loan.
Santiago, Chile
From 12 january 2021
“Río de sangre” is an installation created by Ivan Navarro, located on the banks of the Mapocho river in Chile. Made up of an iron tower connected to one of the river’s pathways through a bridge, it creates a peaceful place for meditation in the midst of the urban jungle. Visitors can walk it up, one at a time, and are given a map of Santiago with the streets renamed after various parts of the human body. The installation is an homage to the Desaparecidos, the victims of the dictatorship thrown in the river before and after the Pinochet era.
From January 9, 2021 to February 28, 2021
Le 104, 5 Rue Curial, 75019 Paris
With this new solo exhibition, Planetarium, displayed at Centquatre, Iván Navarro created an immersive journey through constellation of videos, sculptures, and other luminous and sonorous objects. Celestial bodies and terrestrials ones are confounded for a better understanding of power, at a time of metaphysics obsessions, such as identity and memory.
From October 22, 2020 to April 18, 2021
Fondation Boghossian - Villa Empain, Avenue Franklin Rooseveltlaan 67, B - 1050 Brussels
The exhibition The Light House invites the public to experience a succession of personal and collective experiences with light, mostly immersive, through the works of major contemporary artists, spanning nearly 60 years of artistic production. The exhibition revolves around five themes: celestial light, murky light, the experience of colour, the praise of shadow, neon lights and light bulbs.
Starting July 2, 2020
The Momentary, 507 SE E St, Bentonville, AR 72712, États-Unis
The Momentary, a satellite contemporary art space to Crystal Bridges Museum of American Art (Bentonville, Arkansas), announces a new visual art project by Iván Navarro, free for the public to experience.
Inspired by Woody Guthrie’s iconic 1940 song of the same name, Iván Navarro’s series of three water towers examines the history of migration in the Americas and the United States. During the Great Depression, the water tower became a symbol of hope and opportunity for nomadic workers. According to Navarro, “every time they saw a water tower, they jumped out of the train because it signaled economic activity in that town.” Visitors can step beneath the towers and look up at the repeated messages that are inspired by Navarro’s personal history as an immigrant.
Before making its way to the Momentary, ‘This Land is Your Land’ was previously on view in Madison Square Garden in New York City, and most recently at the Navy Pier in Chicago (USA).
1066 Market St, San Francisco, CA 94102, États-Unis
From 28 May 2020, Permanent installation
For his first permanent site-specific public artwork, Iván Navarro unveiled a new project, THE LADDER, in San Francisco, US. The project, located on the façade of the 12-story tower fronting Market Street, consists of a ten-storied neon and steel ‘ladder,’ resembling a functional fire escape. THE LADDER subtly combines both the public space and the public imagination, by merging familiar visual languages iconic to urban architecture in the United States, whose structures adorn facades but whose functions are long buried beneath their nostalgic beauty. The charged combination of these two forms, provokes a conceptual and material dislocation that is the essence of artistic subversion.
Paris La Défense (Hauts-de-Seine)
From June 25 to October 4
Daniel Templon est âgé de 21 ans lorsqu’il fonde la galerie en 1966, rue Bonaparte dans le quartier de Saint-Germain-des-Prés. D’abord ouverte sous le nom de Cimaise-Bonaparte dans la cave d’un antiquaire, la galerie déménage rapidement à l’étage, avant de déménager en 1972 dans le Marais, rue Beaubourg, à quelques pas du futur Centre Pompidou.
From June 20 to November 1, 2020
Fondation Villa Datris, 7 Avenue des Quatre Otages, 84800 L'Isle-sur-la-Sorgue, France
This year, the Fondation Villa Datris decided to explore a current issue: the act of recycling, through sculpture. At a time where sustainable development has become a priority, contemporary artists took over the topic to explore it through a creative eye. They used imagination and inspiration to create a new world flows. Numerous artists tried to recycle. Among them are Jim Dine and Iván Navarro who made their way into the exhibition, underlining our presents concerns.