Birth | Born in 1953, in Saïda, Algeria |
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Residence | Lives and works in Paris, France |
2024 | Les Rois de Rien et les Années 1965-1966-1967, Templon, Paris, France |
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2023 | Jean-Michel Alberola, Le Bon Marché, Paris, France 1965 – 1966 – 1967 (détails), Templon, Bruxelles, Belgique |
2021 | COSMOS 1939 : Georges Salles/ Walter Benjamin, Tiernatomisches Theater de l’Université Humboldt, Berlin, Allemagne La Fleuve, IMEC, Abbaye d’Ardenne, Saint-Germain-la-Blanche-Herbe, France Le roi de rien, la reine d’Angleterre et les autres, Galerie Templon, Paris, France |
2019 | Exposition de groupe, Galerie Templon, Bruxelles, Belgique |
2018 | Cosmos 1939 : Georges Salles / Walter Benjamin, Centre Dominique-Vivant Denon, Musée du Louvre, Paris, France |
2016 | Les détails de l’aventure (chapitre II), Galerie Daniel Templon, Paris, France L’aventure des Détails, Palais de Tokyo, Paris, France Jean-Michel Alberola, Florence Loewy, Paris, France |
2015 | Jean-Michel Alberola : Invité d’honneur, 60 ème Salon de Montrouge, Montrouge, France Instructions pour une prise d’air, galerie Item, Paris, France |
2024 | Les meubles ont des oreilles, Royal Monceau, Paris, France 28 artistes de la Ruche butinent à Arcueil, Espace Julio Gonzalez, Arcueil, France Van Gogh et les étoiles, Fondation Vincent Van Gogh, Arles, France Lacan, l’exposition, quand l’art rencontre la psychanalyse, Centre Pompidou-Metz, Metz, France Désordre, extracts from the Antoine de Galbert collection, Musée d’Art Contemporain, Lyon, France |
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2023 | Histoire de Pierres, Villa Médicis, Rome, Italie Pierre Loti, arpenter l’intervalle, Jean-Michel Alberola invite 9 jeunes artistes à se confronter à l’univers de l’écrivain, La Corderie Royale, Rochefort, France De leur temps (7), Un regard sur des collections privées, Frac Grand Large, Dunkerque, France |
2022 | GESTALT – àcentmètresdumonde, Centre d’art Contemporain, Perpignan, France |
2021 | Ex Africa – Présences africaines dans l’art aujourd’hui, Musée du Quai Branly – Jacques Chirac, Paris, France |
2020 | The Light House, Boghossian Foundation, Bruxelles, Belgique Tralala l’art, Centre de la gravure et de l'image, La Louvière, Belgique Beat Re-Generation, Loeve&Co, Paris, France |
2019 | ALBEROlaBELLEROJOUX - FILAF, Le Couvent des Minimes, Perpignan, France Souvenirs de voyage. La collection Antoine de Galbert, Musée de Grenoble, Grenoble, France Aux sources des années 1980, Musée de l’Abbaye Sainte-Croix, Les Sables d’Olonne, France Des mots et des choses, FRAC – Bretagne, Châteaugiron, France |
2018 | Murs, Musée des Beaux-Arts de Caen, Can, France Le bateau atelier de Titouan Lamazou, Musée du Quai Branly-Jacques Chirac, Paris, France Futurs antérieurs, Maison Guerlain, Paris, France Open Codes, ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe, Allemagne A l'œuvre, les Abattoirs - FRAC Midi-Pyrénées, Toulouse, France |
Collection de la Fondation Cartier, Paris, France | |
National Museum of Modern Art, Centre Georges Pompidou, Paris, France | |
Musée d'Art Moderne de la Ville de Paris, France | |
Museum of Fine Arts of Saint-Etienne, France | |
Le Bon Marché, Paris, France | |
Carré d'Art, Nîmes, France | |
Caisse des Dépôts et Consignations, Paris, France |
2023 | Le seul état de mes idées, Centre National du Livre, Paris, France |
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1994 | Ceux qui attendent, Cergy-le-Haut trainstation, Cergy-le-Haut, France |
1992 | Et Après? André Malraux, Palais Royal, Paris, France |
1991 | Study for strained glass of Nevers Cathedral (2nd series), Nevers, France |
1989 | Study for strained glass of Nevers Cathedral (1st series), Nevers, France |
1986 | Breton dixit, Acteon fecit (sculpture), Jardin des Tuileries, Paris, France ; Museum of contemporary art of Marseille, Marseille, France |
La chronique d'Olivier Céna
Alberola l'inclassable chez Templon
Alberola et la contre-culture
Les rois de rien et les années 1965-1966-1967
Le passé très présent de Jean-Michel Alberola
Jean-Michel Alberola, Exposition de groupe
Jean - Paul Gavard - Perret
àcentmètresducentredumonde, Perpignan
Through October 2, 2022
Curated by Marion Bataillard, the new exhibition “Gestalt” at the Centre d’art contemporain, àcentmètresducentredumonde presents works by Jean-Michel Alberola.
Jean-Michel Alberola - Hermès Baby
Passage Sainte-Croix, Nantes
From April 12 to June 11, 2022
Combining visual arts and poetry, Jean-Michel Alberola presents a series of works, some of which are specially created for the Passage Sainte-Croix, notably two imposing wall paintings.Some thirty drawings and gouaches take up extracts from the texts of the Beat Generation and are inspired by their cut-up technique by randomly assembling fragments of poetry, colours and thoughts of the artist.
WEDNESDAY, JUNE 23, 2021 FROM 5PM TO 8PM
TEMPLON I 30 RUE BEAUBOURG, 75003 PARIS
On the occasion of our current Jean-Michel Alberola’s exhibition The King of Nothing, The Queen of England, and the Others, we are pleased to invite you to a meeting with the artist and the signing of the catalog of his exhibition Le Fleuve currently on view at the Institut Mémoires de l’édition contemporaine (Imec) at the Abbaye d’Ardenne in Saint-Germain-la-Blanche-Herbe (Caen) until September 26, 2021. About the catalog: Order on our online store
From June 4 to September 26, 2021
Ardenne abbey, 14280 Saint-Germain-la-Blanche-Herbe, France
The IMEC gave carte blanche to the artist Jean-Michel Alberola for the next exhibition at the Ardenne abbey. Over the weeks, the artist, whose work is nourished with literature, discovered the undergrounds where the archives are kept. He explored the library, and the reserves and little by little his research took shape around the work of Kafka with the animal of his short story “Le Terrier”. “When Kafka writes “Le Terrier”, he is the animal just for the time of the writing. Not more, not less. It is the story of an underground place, where, isolated, he can finally write : and isolated he could finaly get out.” The still unknown drawing of this carte blanche will appear in June at the Ardenne abbey.
From February 9 to July 11, 2021
Galerie Jardin, musée du quai Branly – Jacques Chirac, 37 quai Branly, 75007 Paris
In an unprecedented visual dialogue, the Ex Africa exhibition brings together more than 150 works by contemporary artists of all generations and origins to decipher the relationships that unite the current scene and ancient African arts since the end of the 20th century.
From October 22, 2020 to April 18, 2021
Fondation Boghossian - Villa Empain, Avenue Franklin Rooseveltlaan 67, B - 1050 Brussels
The exhibition The Light House invites the public to experience a succession of personal and collective experiences with light, mostly immersive, through the works of major contemporary artists, spanning nearly 60 years of artistic production. The exhibition revolves around five themes: celestial light, murky light, the experience of colour, the praise of shadow, neon lights and light bulbs.
From June 2 to November 29, 2020
Centre de la gravure et de l'image, Rue des Amours 10, 7100 La Louvière, Belgique
The project Tralala l’art revolves around the question of game in contemporary creation. Some games are indeed visual masterpieces which can be compared to artists’ works. Henceforth, it is important to question the status of these creations, and to question their representation in space. The exhibition organized by the Centre de la gravure et de l’imprimerie, is composed in multiple pieces , among which three pieces of Jean-Michel Alberola, interrogating in a colorful manner, this recent field of creativity.
LE COUVENT DES MINIMES, PERPIGNAN, FRANCE From 20/06/2019 to 21/07/2019
While so many points bring them together, and they are important references for the current generation of artists and commentators, Jean-Michel Alberola and Arnaud Labelle-Rojoux have, inexplicably, never been exhibited together. In the imposing setting of the Convent of the Minimes, seven secular« chapels » will host, like so many chapters of a book, the recent productions of the two artists, in a telescoping worthy of a synchrocyclotron of thought and art. This visual and mental bombardment should allow the viewer to “see”, that is to say to access, even incompletely, even imperfectly, the energetic poetic and political charge lurking in the heart of these works . (Stéphane Corréard)