| 2015 |
The Patton Collection: A Gift to North Carolina, North Carolina Museum of Art, Raleigh, North Carolina, USA
Bold Abstractions: Selections from the DMA Collection 1966–1976, THE Dallas Museum of Art, Texas, USA
Pretty Raw, The Rose Art Museum, Brandeis University, Waltham, USA
XL: Large-Scale Paintings from the Permanent Collection, The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York, USA
The New York School, 1969: Henry Geldzahler at the Metropolitan Museum of Art, Paul Kasmin Gallery, New York, USA
Sprayed Works from 1929 to 2015, Gagosian, London, UK
White, The Museum of Contemporary Art, Jacksonville, Florida, USA |
| 2014 |
Alexander the Great: The Iolas Gallery 1955-1987, Paul Kasmin Gallery, New York, USA
Openness and Clarity: Color Field Works from the 1960s and 1970s Honor Fraser Gallery, Los Angeles, California, USA
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| 2013 |
Caro, Frankenthaler, Louis, Motherwell, Noland, Olitski, Stella, curated by Hayden Dunbar, Paul Kasmin Gallery, New York, USA
Anthony Caro and Jules Olitski Masters of Abstraction Draw the Figure , FreedmanArt New York, USA |
| 2009 |
Action/Abstraction: Pollock, de Kooning and American Art 1940 – 1976, The Jewish Museum, New York, USA
Saint Louis Art Museum, St. Louis, MO; Albright Knox Art Gallery, Buffalo, NY |
| 2008 |
Action/Abstraction: Pollock, de Kooning and American Art 1940 - 1976, The Jewish Museum New York, NY, USA
Saint Louis Art Museum, Albright Knox Art Gallery, Buffalo, USA |
| 2007 |
Color as Field: American Painting, 1950 - 1975, Denver Art Museum, Smithsonian American ART Museum, Washington, DC, Jun Frist Center for the Visual Arts, Nashville, USA |
| 2003 |
American Master: Important Paintings and Works on Paper, Marianne Friedland Gallery, Italy
Color Field Revisited: Paintings from the Albright Knox Gallery, Haggerty Museum, Marquette University, Milwaukee, USA
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| 2002 |
Galerie Huit, American Artists in Paris 1950-52, Studio 18 Gallery, New York, USA |
| 2001 |
Objective Color, Yale University Art Gallery, New Haven, USA
Clement Greenberg, a Critic's Collection, Portland Art Museum, Portland, USA
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| 1998 |
The Green Mountain Boys- Caro, Feeley, Noland and Olitski at Bennington in the 1960's, Andre Emmerich Gallery, Suzanne Lemberg Usdan Gallery, Bennington College, Bennington, USA |
| 1997 |
The New Visions: Jules Olitski, Judy Pfaff, Al Held, Andre Emmerich Gallery, USA |
| 1996 |
Caro and Olitski: Masters of Abstraction Draw the Figure, New York Studio School of Drawing, Painting and Sculpture, New York, USA
Color Field- the Classic Years, Andre Emmerich Gallery, New York, USA |
| 1994 |
First Annual International Distinguished Artists Symposium and Exhibition, Joseloff Gallery, Hartford Art School, Univ. of Hartford, W Hartford, USA
France-Amerique, Olivier Debre-Jules Olitski, Galerie Gerald Piltzer, Paris, France |
| 1993 |
168 Annual Exhibition, National Academy of Design, New York, USA |
| 1992 |
Slow Art Painting In New York Now, The Inst of Contemporary Art, Museum, Long Island City, USA
Archives of American Art, Mailbox Exhibit and Auction, Smithsonian Institution, USA
European and American Paintings and Sculptures 1870-1970, Australian National Gallery, Australia |
| 1990 |
The Great Decade: The 1960's, A Selection of Paintings and Sculpture, Andre Emmerich Gallery, New York, USA |
| 1989 |
Twentieth-Century Painting and Sculpture, Selections for the Tenth Anniversary of the East Building, The National Gallery of Art, Washington USA |
| 1987 |
At the Cross Roads, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA
Contemporary Painting, Boca Raton Museum of Art, Boca Raton, USA
Milton Avery Distinguished Professors Exhibition, Edith C. Blum Art Institute, Bard College, Avondale-on the Hudson, N.Y., USA |
| 1986 |
An American Renaissance-Painting and Sculpture Since 1940, The Museum of Art, Fort Lauderdale, USA
Definitive Statements, David Winton Bell Gallery, Brown University, Providence, USA
Préfiguration Des Collections D'Art Contemporain De La Fondation Daniel Templon Sophiea-Antipolis, Paris, France
After Matisse, curated by Independent Curators Incorporated, New York, Queens Museum, Flushing USA; Chrysler Museum, Norfolk, Portland Museum of Art, Portland, en 1987 Bass Museum of Art, Miami Beach, The Phillips Collection, Washington, Dayton Art Institute, Dayton, Worcester Art Museum, Worcester |
| 1985 |
Art Heritage at Hofstra, Hofstra University, Hempsted, Long Island, USA
Pre Postmodern, Richard F. Brush Art Gallery, St. Lawrence U, Canton, USA
Grand Compositions: Selections form the Collection of David Mirvish, the Fort Worth Art Museum, Forth Worth, USA
Selections from the William J. Hokin Collection, Museum of Contemporary Art, Chicago, USA
American Abstract Painting, Margo Leavin Gallery, Los Angeles, USA |
| 1984 |
Eighteen Artists at One West Fourth Street, Hebrew Union College, Jewish Institute of Religion, New York, USA
Arte Comtemporaneo Norteamericano, Coleccion David Mirvish, Embassy of USA in Madrid, Spain |
| 1983 |
New York, New Art: Contemporary Paintings from New York Galleries, Delaware Art Museum, USA
Early Works by Contemporary Masters: Caro, Francis, Frankenthaler, Gottlieb, Held, Louis, Noland, Olitski, Andre Emmerich Gallery, New York, USA |
| 1982 |
Amerikanische Malerei: 1930-1980, (curated by Whitney Museum) Haus der Kunst, Munich, Germany
A Private Vision: Contemporary Art From the Graham Gund Collections, Museum of Fine Arts,
Boston
Drawings: New Directions, Summit Art Center, New Jersey, England
American Artists Abroad 1900-1950, Washburn Gallery, USA
Miro in America, Museum of Fine Arts, Houston, USA
Art in Embassies Program, Embassy of USA in Cairo, Egypt, (1982-1984) |
| 1981 |
Assoziationen zu Blau, Gimpel-Hanover & Andre Emmerich Galerie, Zurich, Switzerland
Depuis la Couleur, 1958/1964, Centre d'Arts Plastiques Contemporains, Bordeaux, France
Three Decades/Oil on Canvas, North Park National Bank, Dallas, collaboration with Andre Emmerich Gallery
International Florida Artist,Ringling Museum of Art, Sarasota, USA
An American Choice: The Muriel Kallis Steinberg Newman Collection, Metropolitan Museum of Art, New York, USA |
| 1980 |
Five in Florida, SVC/Fine Arts Gallery, University of South Florida, Tampa, USA
Aspects of the '70's: Painterly Abstraction, Brockton Art Museum, Brockton, USA
L'Amerique aux Independants, 91e Exposition, Societe des Artistes, Grand Palais, Paris, France
The Fifties: Aspects of Painting In New York, Hirshhorn Museum and Sculpture Garden, Washington, USA
In Our Time, Collection HHK Foundation for Contemporary Art; Milwaukee Art Museum, en 1981 ; Contemporary Art Center, Cincinnati, Columbus Museum of Art, Virginia Museum of Fine Arts, Richmond, Krannert Art Museum, University of Illinois, Champaign, High Museum of Art, Atlanta, en 1982 University of Iowa Museum of Art, Iowa City, Iowa, Brooks Memorial Art Gallery, Memphis, University Art Museum, University of Texas, Austin,
Selected 20th Century American Self Portraits, Harold Reed Gallery, New York, USA
Seven Works for Major Collections, Andre Emmerich Gallery, NY, USA |
| 1979 |
Monumental Abstractions, Museum of Fine Arts, Boston, USA
Art from Corporate Collection, Union Carbide Corporation Gallery, USA
Images of the Self, Hampshire College Gallery, Amherst, USA
A Century of Ceramics in the United States, 1878-1978, Everson Museum of Art, Syracuse, USA, Renwick Gallery of the National Collection of Fine Arts, Smithsonian Institution, Washington, Cooper-Hewitt Museum, New York, (1980)
M. Knoedler and Co. Presents a Selection of Work in Los Angeles at Asher/Faure, USA
Color Abstractions: Selections for the Museum of Fine Arts, Boston, Federal Reserve Bank of Boston Display Area, Boston, USA
Mr. and Mrs. Eugene Schwartz Collection, Knoedler Gallery, New-York USA |
| 1978 |
ART 9/78, Basel, Switzerland, June 14-19, 1978
Fifteen Sculptors in Steel around Bennington, 1963-1978, Park-McCullough House Association, North Bennington, USA
Selected 20th Century American Nudes, Harold Reed Gallery, USA
Three Hundred Years of American Art at the Chrysler Museum, Chrysler Museum at Norfolk, Virginia, USA |
| 1977 |
Drawings of the '70's, Society for Contemporary Art, Art Institute of Chicago, USA
New York the State of Art, the New York State Museum, Albany, USA
A View of A Decade, Museum of Contemporary Art, Chicago, USA
Critics Choice, Lowe Art Gallery, Syracuse, N.; Munson-Williams-Proctor Institute, Utica, USA |
| 1976 |
American Color: 1961-1964, Visual Arts Museum, New York, USA
Painting and Sculpture Today-1976 Indianapolis Museum of Art, Indianapolis, USA
New Works in Clay, Everson Museum of Art, Syracuse and Onondaga County, Syracuse; Edmonton Art Gallery, Alberta, Canada, spring 1978
Aspects of Postwar Painting in America, Guggenheim Museum, New York, USA |
| 1975 |
34th Biennial of Contemporary American Painting, The Corcoran Gallery of Art, Washington, USA
American Abstract Painting, La Bertesca, Genève, Italy
El Lenguaje del Color, Museo de Be-las Artes, Caracas, Venezuela |
| 1974 |
The Great Decade of American Abstraction Modernist Art 1960-1970, The Museum of Fine Arts, Houston, USA
Choice Dealers/Dealers' Choice, The New York Cultural Center partnership with Fairleigh Dickinson University, New York, USA
Jules Olitski: Life Drawings, Corcoran Gallery of Art, Washington, USA
Selected Works from the Collection of Carter Burden, Marlborough Gallery, USA
The Basel Art Fair, Basel, Switzerland
Painting and Sculpture Today, Indianapolis Museum of Art; Taft Museum, Cincinnati, USA
Monumenta, Newport, USA
Tenth Anniversary, The Aldrich Museum of Contemporary Art 1964-1974, The Aldrich Museum of Contemporary Art, Ridgefield, USA
L'Art au Present, Palais Galliera (curated by Daniel Templon), Paris, France
Biennale Internationale de la Gravure, Poland |
| 1973 |
Whitney Biennial Exhibition, Whitney Museum of American Art, New York, USA
Olitski, Museum of Fine Arts, Boston, USA, Albright-Knox Art Gallery, Buffalo, Whitney Museum of American Art, New York,
American Drawings 1963-1973, Whitney Museum of American Art, New York, USA
Ten Years Ago...an Exhibition of Paintings from 1964, David Mirvish Gallery, Toronto, Ontario, Canada |
| 1972 |
Color Painting, Amherst College, Amherst, USA
Abstract Painting in the '70's: A Selection, Museum of Fine Arts, Boston, USA
Masters of the Sixties, Edmonton Art Gallery, Edmonton, Alberta, Canada
Twentieth Century Prints from the Dartmouth Collection, organized by The History of Prints Seminar, Department of Art, Hanover, Germany
Contemporary Art: The Collection of Dr. and Mrs. Joseph Gosman, University of Michigan Museum of Art, Ann Arbor, USA |
| 1971 |
Color and Field: 1890-1970, The Dayton Art Institute, Dayton, The Cleveland Museum of Art, Cleveland, USA
The Drawing Society National Exhibition, 1970, Exposition itinérante, 1970-1972, USA
Contemporary American Painting and Sculpture: Selections from the Collection of Mr and Mrs Eugene M. Schwartz, Milwaukee Art, USA
The Structure of Color, Whitney Museum of American Art, USA
Jules Olitski, University of Michigan Museum of Art, Ann Arbor, USA
The Deluxe Show, parrainé par The Menil Foundation, Houston, USA
The Vincent Melzac Collection, The Corcoran Gallery of Art, Washington, USA
Whitney Annual Exhibition of Contemporary American Painting,Whitney Museum of American Art, New York, USA |
| 1970 |
69th Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, USA
American Artists of the Nineteen-Sixties, Contennial Exhibition, Boston University, School of Fine and Applied Arts, Boston, USA
Color, UCLA Art Galleries, University of California, Los Angeles, USA
Contemporary Painting and Sculpture, Wellesley College Museum, Jewett Art Center, Wellesley, USA
Giant Images of Today, Everson Museum of Art, Syracuse, USA
35th Annual Exhibition, Butler Institute of American Art, Youngstown, USA
Two Generations of Color Painting, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA
Selections from the Mr. and Mrs. Robert A. Rowan Collection, Pasadena Art Museum, Pasadena, USA
Painting and Sculpture Today, Contemporary Art Society and Indianapolis Museum of Art, Indianapolis, USA
Color and Field: 1890-1970, Albright-Knox Art Gallery, Buffalo, USA |
| 1969 |
Contemporary American Painting and Sculpture from the Collection of Mr. and Mrs. Eugene Schwartz, Everson Museum, Syracuse; University Art Gallery, State University of New York en Albany,
New York Painting and Sculpture: 1940-1970, The Metropolitan Museum of Art, New York, USA
Painting in New York: 1944-1969, Pasadena Art Museum, Pasadena, USA
1969 Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, USA |
| 1968 |
Whitney Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York
Documenta IV, Kassel, Germany
Signals in the '60's, Honolulu Academy of Arts, Honolulu, Hawaii
L'Art Vivant, 1965-1968, Foundation Maeght, St. Paul-de-Vence, France
Twentieth Century American Art, Albert Pilavin Collection, USA
Selections from the Richard Brown Baker Collection, Art Galley, University of Notre Dame, Indiana, USA
The Development of Modernist Painting: Jackson Pollock to the Present, Steinberg Art Gallery, Washington University Gallery of Art, St. Louis, USA
Concept, Vassar College Art Gallery, Poughkeepsie, USA
The Gosman Collection, Art Gallery of the University of Pittsburgh, Department of Fine Arts, Pittsburgh, USA
American Art of the '60's, Toronto Private Collections, York University, Toronto, Canada |
| 1967 |
30th Biennial Exhibition of Contemporary American Painting, The Corcoran Gallery of Art, Washington, USA
Form, Color, Image, Detroit Institute of Arts, Detroit, USA
Ninth Tokyo Biennale, Tokyo, Japon
A Selection of Paintings and Sculptures from the Collections of Mr. and Mrs. Robert Rowan, University of California, Irvine; San Francisco Museum of Art, San Francisco, USA
Focus on Light, The New Jersey State Museum, Trenton, USA
Large-Scale American Paintings, The Jewish Museum, New York, USA
Torcuato di Tella International Prize Exhibition, Instituto Torcuato di Tella, Buenos Aires, Argentina
Art for Embassies, organized by the Washington Gallery of Modern Art, USA |
| 1966 |
Frankenthaler, Noland, Olitski, New Brunswick Museum, St. John; The Norman Mackenzie Art Gallery, University of Saskatchewan, Regina; The Mendel Art Center, Saskatoon; The Confederation Art Gallery and Museum, Charlottetown, Prince Edward Island, Canada
XXXIII International Biennial Exhibition of Art, United States Pavilion, Venice, USA |
| 1965 |
Three American Painter (Noland, Olitski and Stella), Fogg Art Museum, Harvard University, Cambridge; Pasadena Art Museum, Pasadena
Ausstellung Signale, Kunsthalle, Basel, Switzerland |
| 1964 |
New Directions in American Painting, Organized by Rose Art Museum, Brandeis University, Waltham, Munson-Williams-Proctor Institute, Utica; Isaac Delgado Museum of Art, New Orleans; Atlanta Art Association, Atlanta; J.B. Speed Art Museum, Louisville, Museum, Indiana University, Bloomington, Washington University, St. Louis, Detroit Institute of Arts
67th Annual American Exhibition, The Art Institute of Chicago, Chicago
The Atmosphere of 1964, Institute of Contemporary Art, University of Pennsylvania, USA
Post Painterly Abstraction, Los Angeles County Museum of Art, Los Angeles, USA
American Drawings, 1964, The Solomon Guggenheim Museum, N.Y |
| 1963 |
Recent Acquisitions, Museum of Modern Art, New York, USA
Whitney Annual Exhibitions of Contemporary American Painting, Whitney Museum of American Art, New York, USA
Three New American Painters: Louis, Noland Olitski, Norman Mackenzie Art Gallery, University of Saskatchewan, Regina, Canada
Aspects of 20th Century Painting, Worcester Art Museum, Worcester, England
The Formalists, The Washington Gallery of Modern Art, Washington, USA
Directions: American Painting, San Francisco Museum of Art, San Francisco, USA |
| 1961 |
The 1961 Pittsburgh International Exhibition of Contemporary Painting and Sculpture, Department of Fine Arts, Carnegie Institute, Pittsburgh, USA |
