Pierre et Gilles
TATTOO, L’ARTE SULLA PELLE – GROUP SHOW

MUSEO DEL'900, VENICE, ITALYFrom 05/07/2019 to 17/11/2019

M9 – The Museum of the 20th Century presents the Tattoo Exhibition, Stories on skin, organized in collaboration with Fondazione Torino Musei. The exhibition explores the worldwide and creative dimension of tattoos from an anthropological, historical, artistic and social point of view. Tattooing is a practice which has accompanied humanity since the dawn of time to the point that we find examples in mummified bodies in Europe, Asia and Africa. It is a means of expression which has never been abandoned, although its meaning has changed throughout the centuries: the intense tangle of contaminations and exchanges among different cultures, between East and West, which has always characterized the history of tattooing, goes on today with greater force amid a globalized world where cultural and commercial exchanges are intense and continuous. It has always been a phenomenon connected to forms of social marginality – according to Genesis, the first person tattooed in history is Cain – but at the same time is a form of art and a big mass phenomenon. The exhibition also displays numerous works by international contemporary artists: Wim Delvoye, Santiago Serra, Dr. Lakra, Mary Coble Fabio Viale. Photographs by Pierre et Gilles, Catherine Opie, Tobias Zielony, Sergei Vasiliev Plinio Martelliand Oliviero Toscani.

Prune Nourry
DAUGHTERS – SOLO SHOW

CHÂTEAU MALROMÉ, SAINT-ANDRÉ-DU-BOIS, FRANCE, FRANCE From 29/06/2019 to 10/11/2019

Château Malromé is pleased to welcome in its walls, during this summer 2019, about twenty works of Prune Nourry previously exhibited from Spring to Autumn 2017 at the Guimet Museum (Paris). In this series of works, Prune Nourry has seized upon a problem particular to Indian and Chinese societies, the disappearance of a whole age-class of little girls caused by the use of prenatal predictive medical techniques in favor of boys. These sculptures, in a new scenography of Benjamin Gabrié, find new echoes in Malromé, family home of Toulouse-Lautrec. Curator : Richard Leydier

Chiharu Shiota
CRéATRICES, L’éMANCIPATION PAR L’ART – GROUP SHOW

MUSEE DES BEAUX-ARTS, RENNES, FRANCE From 28/06/2019 to 29/09/2019

This major feminist exhibition dedicated to the women artists favors a thematic approach over a long period, from the Middle Ages to the present day. The exhibition brings together more than 80 works highlighting the emancipatory function of art, like Niki de Saint Phalle who gave power to the “Nanas”, her majestic female figures.  

Kehinde Wiley
INCARNATIONS, AFRICAN ART AS PHILOSPHY – GROUP SHOW

PALAIS DES BEAUX ARTS, BRUSSELS, BELGIUM From 28/06/2019 to 06/10/2019

IncarNations is an exhibition designed by South African artist Kendell Geers in dialogue with Congolese collector Sindika Dokolo. An exciting initiative that reflects the diversity of African aesthetic heritage, stripped of any Eurocentric prism and including the influence of diasporas, slave routes, colonialism or independence movements. From the impressive collection of Sindika Dokolo, the productions of African artists resonate with those of the diaspora while contemporary works of art will be presented alongside classical works, finally opening the way to the unveiling of African art, understood as a living philosophical practice.

Iván Navarro
BIENALSUR, HOME SWEET HOME – GROUP SHOW

AMBASSADE DU BRESIL-PALAIS PEREDA, BUENOS AIRES, ARGENTINA From 26/06/2019 to 30/10/2019

How much do the spaces we inhabit say about us? What forms do such spaces take? In what way do they reflect our lifestyle? If the home is the border limit between outside and inside, public and private, safety and uncertainty, “home” is also the projection of our own body (and in particular our mind) as a kind of microcosm which with to dispute the immensity of the universe. In the context of this exhibition, we conceive of home as a space-time where we unfurl the experience of inhabitation, anchoring men and women’s primary desire to occupy a place in the world, which is also the springboard for imagination to take flight.  

Abdelkader Benchamma
SYMéTRIES ET SOUPIRS – SITE-SPECIFIC INSTALLATION

ABBAYE DE LAGRASSE, LAGRASSE, FRANCE From 26/06/2019 to 01/09/2019

The Lagrasse Abbey, located in the Corbières massif in the Orbieu Valley, is considered one of the most important Benedictine settlements in the Aude region.For IN SITU Patrimoine et art contemporain, Abdelkader Benchamma has made a large mural of nearly 40 square meters facing the Renaissance fireplace of the ceremonial hall of the Abbey.

Gérard Garouste
“EN CHEMIN” – MOVIE PROJECTION

CENTRE POMPIDOU, CINEMA 1, PARIS, FRANCE25/06/2019 at 7:00 pm

Serge Lasvignes, André Djaoui, Daniel Templon, are pleased to invite you to the screening of Garouste’s film “En Chemin”. A film written by Stéphane Miquel and directed by Vivien Desouches. The screening will be followed by a discussion between Gérard Garouste and Olivier Kaeppelin. Tuesday, June 25, 2019 at 7 pm, Center Pompidou – Cinema 1 Reservation recommended: Matthieu Durand: rsvp@templon.com Tel. 01 85 76 55 55

Valerio Adami
ITALIAN WEEK “LA BELLEZZA” – SOLO SHOW

ARRONDISSEMENT TOWN HALL, PARIS, FRANCE From 24/06/2019 to 2/07/2019

Chiharu Shiota
THE SOUL TREMBLES – SOLO SHOW

MORI ART MUSEUM, TOKYO, JAPAN From 20/06/2019 to 27/10/2019

The exhibtion The Soul trembles will be the largest-ever solo exhibition by Chiharu Shiota. This will be the first opportunity to experience in detail twenty-five years of Shiota’s oeuvre; primarily in six large installations, plus sculptural works, video footage of performances, photographs, drawings, performing arts-related material, etc.

Jean-Michel Alberola
ALBEROLABELLEROJOUX – GROUP SHOW

LE COUVENT DES MINIMES, PERPIGNAN, FRANCE From 20/06/2019 to 21/07/2019

While so many points bring them together, and they are important references for the current generation of artists and commentators, Jean-Michel Alberola and Arnaud Labelle-Rojoux have, inexplicably, never been exhibited together. In the imposing setting of the Convent of the Minimes, seven secular« chapels » will host, like so many chapters of a book, the recent productions of the two artists, in a telescoping worthy of a synchrocyclotron of thought and art. This visual and mental bombardment should allow the viewer to “see”, that is to say to access, even incompletely, even imperfectly, the energetic poetic and political charge lurking in the heart of these works . (Stéphane Corréard)