Through the evocative poignancy of mass-produced foundational imagery depicting our commonly shared childhood, Robin kid is delving into the notion of personal and cultural memories, conjuring up feelings of uncertainty but also of the most naive hopes and dreams gathered during childhood and teenage years.

By combining stainless steel panels and aluminum sculpture with oil painting in a toylike way, the artist is manufacturing an idealized billboard to our shared desire while operating in the context of power and control; Borrowing its title « Kingdom of Ends » from Kant’s ethical principle, the work explores our collective need and hope for a secure existence -and the fear that in Today’s world many might never attain it.

Influenced by Robert Rauschenberg’s “Combines” and Jim Dine’s early works like “Lawnmower” and “Child’s Blue Wall” – the Kingdom of Ends series are hybrid works, neither painting nor sculpture, but both at once. They invade the viewer’s space, demanding its attention and instigate a dialogue by simultaneously becoming eye-popping and menacing yet perfectly balanced advertisements, invoking a nostalgia so strong it amounts to an ache, for they show us a time and place of which we are and always have been exiled from.