Chiharu Shiota’s work combines performance, body art and installations. A student of Marina Abramovic in Hamburg during the 1990s, she places her body at the heart of her sculptural process. ! Her artistic language was influenced by pioneering artists Louise Bourgeois, Eva Hesse and Ana Mendieta, both in terms of physical experimentation and focus on the unconscious, and in the choice of delicate materials traditionally associated with femininity, such as fabrics, threads and dresses. Starting in 1996 with her series of installations made with black yarn, Chiharu Shiota transformed her art into an extension of her—absent—body. ! Chiharu Shiota is an artist whose profile has risen rapidly in recent years. Her delicate works are freighted with intense emotion, leading the viewer into a solidified world that evokes the themes of absence and memory.!

Shiota weaves vast environments in tangled black threads, within which various evocative objects appear to float: musical instruments, dolls’ dresses, shoes, beds. Her graphic networks explore psychic imbrications, interpersonal connections. Shiota has written that “the threads are woven together. They become entangled. They tear. They unravel. They are like a mirror of the emotions.” She will be showing her drawings for the first time at the Galerie Templon in Brussels. These are works whose delicate pencil lines echo the threads of yarn, gentle lines that evoke sculptural volumes as well as the artist’s self-image.