Playing on the ambiguity of these figures, Jonathan Meese takes us on a personal and playful journey into the secret history of haute couture. He references everything from the nudity of Adam and Eve to the Reign of Terror and the uniform of Hitler Youth girls. From the medley emerges a strange pantheon, where the ghostly figures of Saint-Just and Robespierre rub shoulders with self-portraits, vampires, monsters and a whole host of fashion victims.

Jonathan Meese questions the boundary between culture and nature, creativity and conformism, appearance and power, themes which have been haunting his work for the past twenty years. At a time when the fashion industry has comprehensively appropriated contemporary art, which has in turn made its way into the work of countless designers, Jonathan Meese presents an exuberant reversal of hierarchy, imagining a world in which art is the predominant guiding force.