Hans Op De Beeck
Whispered Tales
This autumn Templon New York is hosting a project on an unprecedented scale. Whispered Tales is the gallery’s first exhibition of work by Belgian artist Hans Op de Beeck, an immersive ensemble occupying the 500 square metres of the gallery’s New York space.
“My work is very pictorial, it’s very figurative, and it has never been my aim to simulate reality. For me, it is more interesting to try to show what is underneath reality, let’s say the skeleton, the core, or the very essence of things underneath the skin of reality. And so using this very soft grey tone that refers to petrified objects, as well as to a layer of dust or ashes, you silence down reality, or you show an interpretation of reality which is more calm and reduced. So I make an abstraction of reality by taking out the color.”
Hans Op de Beeck
Hans Op de Beeck, 55, is known for his monumental, often monochrome, sculptural installations that plunge visitors into silent and introspective universes. His distinctive body of work explores temporality, memory and the human condition. He uses a minimalist aesthetic to evoke scenes, both familiar and mysterious, where the apparent simplicity of the form masks an emotional complexity.
In creating fictitious interiors, outdoor scenes, still lives and human figures seemingly frozen in time he seeks to capture suspended moments, fragments of life, lying outside linear narrative. This approach and its treatment of the human body and of spaces embraces the legacy of both classical sculpture as well as cinematographic imagery, while distancing itself from that same legacy with forms of abstraction in its representations. In contrast to classical statuary and its glorification of the individual or divinity, Op de Beeck strives to express the fleeting nature of existence, opting for a form of universal melancholic anonymity.
The exhibition is designed as a cabinet of curiosities, imbued with the subtle presence of the marvellous, rooted not in a sense of whimsy but rather in the sculptures’ capacity to distort reality and create a dreamlike atmosphere. His sculptural works with their soft, velvety monochrome skin, alongside his new black and white animated film and watercolour paintings, amplify the sensation of worlds suspended in time and space. The viewer is invited to partake in a form of active contemplation, discovering in turn a seated little girl with angel’s wings lost in her thoughts, a classic display cabinet showing a nocturnal pier with a Ferris wheel under a starry sky, or a life size enigmatic horseman with a little monkey on his shoulder holding a parasol over his head.
The way the artist plays with the perception of scale and atmosphere sparks a disconnect, a feeling of strangeness when confronted with scenes lifted out of the ordinary. Each work offers us the seed of yet another possible story. With his characteristic grey tones and carefully thought-out staging, Hans Op de Beeck transforms the prosaic into an almost magical experience where simplicity gives birth to the unexpected.
Vanitas Table (NYC)
The artist
Born in 1969, Hans Op de Beeck lives and works in Brussels, Belgium. He produces large installations, sculptures, films, drawings, paintings, photographs and texts. Over the past twenty years Op de Beeck realised numerous monumental ‘sensorial’ installations: tactile deserted spaces as an empty set for the viewer to walk through or sit down in, sculpted havens for introspection. His work is a reflection on our complex society and the universal questions of meaning and mortality that resonate within it. He regards man as a being who stages the world around him in a tragi-comic way. Above all, Op de Beeck is keen to stimulate the viewers’ senses, and invite them to really experience the image. He seeks to create a form of visual fiction that delivers a moment of wonder and silence.
