| 2015 |
The Patton Collection: A Gift to North Carolina, North Carolina Museum of Art, Raleigh, North Carolina, États-Unis
Bold Abstractions: Selections from the DMA Collection 1966–1976, THE Dallas Museum of Art, Texas, États-Unis
Pretty Raw, The Rose Art Museum, Brandeis University, Waltham, États-Unis
XL: Large-Scale Paintings from the Permanent Collection, The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York, États-Unis
White, The Museum of Contemporary Art, Jacksonville, Florida, États-Unis
The New York School, 1969: Henry Geldzahler at the Metropolitan Museum of Art, Paul Kasmin Gallery, New York, États-Unis
Sprayed Works from 1929 to 2015, Gagosian, London, Royaume-Uni |
| 2014 |
Alexander the Great: The Iolas Gallery 1955-1987, Paul Kasmin Gallery, New York, États-Unis |
| 2013 |
Caro, Frankenthaler, Louis, Motherwell, Noland, Olitski, Stella, curated by Hayden Dunbar, Paul Kasmin Gallery, New York, États-Unis
Anthony Caro and Jules Olitski Masters of Abstraction Draw the Figure , FreedmanArt New York, États-Unis
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| 2009 |
Action/Abstraction: Pollock, de Kooning and American Art 1940 – 1976, The Jewish Museum, New York, États-Unis
Saint Louis Art Museum, St. Louis, MO; Albright Knox Art Gallery, Buffalo, États-Unis |
| 2008 |
Action/Abstraction: Pollock, de Kooning and American Art 1940 – 1976, The Jewish Museum New York, NY, Saint Louis Art Museum, Albright Knox Art Gallery, Buffalo, États-Unis |
| 2007 |
Color as Field: American Painting, 1950 – 1975, Denver Art Museum, Smithsonian American ART Museum, Washington, DC, Jun Frist Center for the Visual Arts, Nashville, États-Unis |
| 2003 |
American Master: Important Paintings and Works on Paper, Marianne Friedland Gallery, Italie
Color Field Revisited: Paintings from the Albright Knox Gallery, Haggerty Museum, Marquette University, Milwaukee, États-Unis
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| 2002 |
Galerie Huit, American Artists in Paris 1950-52, Studio 18 Gallery, New York, États-Unis |
| 2001 |
Objective Color, Yale University Art Gallery, New Haven, États-Unis
Clement Greenberg, a Critic's Collection, Portland Art Museum, Portland, États-Unis
|
| 1998 |
The Green Mountain Boys - Caro, Feeley, Noland and Olitski at Bennington in the 1960's, Andre Emmerich Gallery, Suzanne Lemberg Usdan Gallery, Bennington College, Bennington, États-Unis |
| 1997 |
The New Visions: Jules Olitski, Judy Pfaff, Al Held, Andre Emmerich Gallery, États-Unis |
| 1996 |
Caro and Olitski: Masters of Abstraction Draw the Figure, New York Studio School of Drawing, Painting and Sculpture, New York, États-Unis
Color Field - the Classic Years, Andre Emmerich Gallery, New York, États-Unis
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| 1994 |
First Annual International Distinguished Artists Symposium and Exhibition, Joseloff Gallery, Hartford Art School, University of Hartford, W Hartford, États-Unis
France-Amérique, Olivier Debre-Jules Olitski, Galerie Gerald Piltzer, Paris, France
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| 1993 |
168 Annual Exhibition, National Academy of Design, New York, États-Unis |
| 1992 |
Slow Art Painting In New York Now, The Inst of Contemporary Art, Museum, Long Island City, États-Unis
Archives of American Art, Mailbox Exhibit and Auction, Smithsonian Institution, États-Unis
European and American Paintings and Sculptures 1870-1970, Australian National Gallery, Australie
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| 1990 |
The Great Decade: The 1960's, A Selection of Paintings and Sculpture, Andre Emmerich Gallery, New York, États-Unis |
| 1989 |
Twentieth-Century Painting and Sculpture, Selections for the Tenth Anniversary of the East Building, The National Gallery of Art, Washington, États-Unis |
| 1987 |
At the Cross Roads, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, États-Unis
Contemporary Painting, Boca Raton Museum of Art, Boca Raton, États-Unis
Milton Avery Distinguished Professors Exhibition, Edith C. Blum Art Institute, Bard College, Avondale-on the Hudson, N.Y., États-Unis |
| 1986 |
An American Renaissance-Painting and Sculpture Since 1940, The Museum of Art, Fort Lauderdale, États-Unis
Definitive Statements, David Winton Bell Gallery, Brown University, Providence, États-Unis
Préfiguration Des Collections D'Art Contemporain De La Fondation Daniel Templon Sophiea-Antipolis, Paris, France
After Matisse, organisé par Independent Curators Incorporated, New York, Queens Museum, Flushing États-Unis; Chrysler Museum, Norfolk, Portland Museum of Art, Portland, en 1987 Bass Museum of Art, Miami Beach, The Phillips Collection, Washington, Dayton Art Institute, Dayton, Worcester Art Museum, Worcester, États-Unis |
| 1985 |
Art Heritage at Hofstra, Hofstra University, Hempsted, Long Island, États-Unis
Pre Postmodern, Richard F. Brush Art Gallery, St. Lawrence U, Canton, États-Unis
Grand Compositions: Selections form the Collection of David Mirvish, the Fort Worth Art Museum, Forth Worth, États-Unis
Selections from the William J. Hokin Collection, Museum of Contemporary Art, Chicago, États-Unis
American Abstract Painting, Margo Leavin Gallery, Los Angeles, États-Unis |
| 1984 |
Eighteen Artists at One West Fourth Street, Hebrew Union College, Jewish Institute of Religion, New York, États-Unis
Arte Comtemporaneo Norteamericano, Coleccion David Mirvish, Embassade Américaine de Madrid, Espagne |
| 1983 |
New York, New Art: Contemporary Paintings from New York Galleries, Delaware Art Museum, États-Unis
Early Works by Contemporary Masters: Caro, Francis, Frankenthaler, Gottlieb, Held, Louis, Noland, Olitski, Andre Emmerich Gallery, New York, États-Unis |
| 1982 |
Amerikanische Malerei: 1930-1980, (organisé par Whitney Museum) Haus der Kunst, Munich, Allemagne
A Private Vision: Contemporary Art From the Graham Gund Collections, Museum of Fine Arts, Boston, États-Unis
Drawings: New Directions, Summit Art Center, New Jersey, Royaume-Uni
American Artists Abroad 1900-1950, Washburn Gallery, États-Unis
Miro in America, Museum of Fine Arts, Houston, États-Unis
Art in Embassies Program, Embassade des États-Unis du Caire, Egypte |
| 1981 |
Assoziationen zu Blau, Gimpel-Hanover & Andre Emmerich Galerie, Zurich, Suisse
Depuis la Couleur, 1958/1964, Centre d'Arts Plastiques Contemporains, Bordeaux, France
Three Decades/Oil on Canvas, North Park National Bank, Dallas, en partenariat avec Andre Emmerich Gallery
International Florida Artist, Ringling Museum of Art, Sarasota, États-Unis
An American Choice: The Muriel Kallis Steinberg Newman Collection, Metropolitan Museum of Art, New York, États-Unis |
| 1980 |
Five in Florida, SVC/Fine Arts Gallery, University of South Florida, Tampa, États-Unis
Aspects of the '70's: Painterly Abstraction, Brockton Art Museum, Brockton, États-Unis
L'Amérique aux Indépendants, 91e Exposition, Societe des Artistes, Grand Palais, Paris, France
The Fifties: Aspects of Painting In New York, Hirshhorn Museum and Sculpture Garden, Washington, États-Unis
In Our Time, Collection HHK Foundation for Contemporary Art; Milwaukee Art Museum, en 1981 ; Contemporary Art Center, Cincinnati, Columbus Museum of Art, Virginia Museum of Fine Arts, Richmond, Krannert Art Museum, University of Illinois, Champaign, High Museum of Art, Atlanta, en 1982 University of Iowa Museum of Art, Iowa City, Iowa, Brooks Memorial Art Gallery, Memphis, University Art Museum, University of Texas, Austin, États-Unis
Selected 20th Century American Self Portraits, Harold Reed Gallery, New York, États-Unis
Seven Works for Major Collections, Andre Emmerich Gallery, NY, États-Unis |
| 1979 |
Monumental Abstractions, Museum of Fine Arts, Boston, États-Unis
Art from Corporate Collection, Union Carbide Corporation Gallery, États-Unis
Images of the Self, Hampshire College Gallery, Amherst, États-Unis
A Century of Ceramics in the United States, 1878-1978, Everson Museum of Art, Syracuse, États-Unis, Renwick Gallery of the National Collection of Fine Arts, Smithsonian Institution, Washington, Cooper-Hewitt Museum, New York, États-Unis
M. Knoedler and Co. Presents a Selection of Work in Los Angeles at Asher/Faure, États-Unis
Color Abstractions: Selections for the Museum of Fine Arts, Boston, Federal Reserve Bank of Boston Display Area, Boston, États-Unis
Mr. and Mrs. Eugene Schwartz Collection, Knoedler Gallery, New-York États-Unis |
| 1978 |
ART 9/78, Basel, Suisse
Fifteen Sculptors in Steel around Bennington, 1963-1978, Park-McCullough House Association, North Bennington, États-Unis
Selected 20th Century American Nudes, Harold Reed Gallery, États-Unis
Three Hundred Years of American Art at the Chrysler Museum, Chrysler Museum at Norfolk, Virginia, États-Unis |
| 1977 |
Drawings of the '70's, Society for Contemporary Art, Art Institute of Chicago, États-Unis
New York the State of Art, the New York State Museum, Albany, États-Unis
A View of A Decade, Museum of Contemporary Art, Chicago, États-Unis
Critics Choice, Lowe Art Gallery, Syracuse, N.; Munson-Williams-Proctor Institute, Utica, États-Unis |
| 1976 |
American Color: 1961-1964, Visual Arts Museum, New York, États-Unis
Painting and Sculpture Today-1976, Indianapolis Museum of Art, Indianapolis, États-Unis
New Works in Clay, Everson Museum of Art, Syracuse and Onondaga County, Syracuse; Edmonton Art Gallery, Alberta, Canada
Aspects of Postwar Painting in America, Guggenheim Museum, New York, États-Unis |
| 1975 |
34th Biennial of Contemporary American Painting, The Corcoran Gallery of Art, Washington, États-Unis
American Abstract Painting, La Bertesca, Genève, Italie
El Lenguaje del Color, Museo de Be-las Artes, Caracas, Venezuela |
| 1974 |
The Great Decade of American Abstraction Modernist Art 1960-1970, The Museum of Fine Arts, Houston, États-Unis
Choice Dealers/Dealers' Choice, The New York Cultural Center en partenariat avec Fairleigh Dickinson University, New York, États-Unis
Jules Olitski: Life Drawings, Corcoran Gallery of Art, Washington, États-Unis
Selected Works from the Collection of Carter Burden, Marlborough Gallery, États-Unis
The Basel Art Fair, Basel, Suisse
Painting and Sculpture Today, Indianapolis Museum of Art; Taft Museum, Cincinnati, États-Unis
Monumenta, Newport, États-Unis
Tenth Anniversary, The Aldrich Museum of Contemporary Art 1964-1974, The Aldrich Museum of Contemporary Art, Ridgefield, États-Unis
L'Art au Present, Palais Galliera (organisé par Daniel Templon), Paris, France
Biennale Internationale de la Gravure, Pologne |
| 1973 |
Whitney Biennial Exhibition, Whitney Museum of American Art, New York, États-Unis
Olitski, Museum of Fine Arts, Boston, USA, Albright-Knox Art Gallery, Buffalo, Whitney Museum of American Art, New York, États-Unis
American Drawings 1963-1973, Whitney Museum of American Art, New York, États-Unis
Ten Years Ago...an Exhibition of Paintings from 1964, David Mirvish Gallery, Toronto, Ontario, Canada |
| 1972 |
Color Painting, Amherst College, Amherst, États-Unis
Abstract Painting in the '70's: A Selection, Museum of Fine Arts, Boston, États-Unis
Masters of the Sixties, Edmonton Art Gallery, Edmonton, Alberta, Canada
Twentieth Century Prints from the Dartmouth Collection, organisé par The History of Prints Seminar, Department of Art, Hanover, Allemagne
Contemporary Art: The Collection of Dr. and Mrs. Joseph Gosman, University of Michigan Museum of Art, Ann Arbor, États-Unis |
| 1971 |
Color and Field: 1890-1970, The Dayton Art Institute, Dayton, The Cleveland Museum of Art, Cleveland, États-Unis
The Drawing Society National Exhibition, 1970, Exposition itinérante, 1970-1972, États-Unis
Contemporary American Painting and Sculpture: Selections from the Collection of Mr and Mrs Eugene M. Schwartz, Milwaukee Art, États-Unis
The Structure of Color, Whitney Museum of American Art, États-Unis
Jules Olitski, University of Michigan Museum of Art, Ann Arbor, États-Unis
The Deluxe Show, parrainé par The Menil Foundation, Houston, États-Unis
The Vincent Melzac Collection, The Corcoran Gallery of Art, Washington, États-Unis
Whitney Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, États-Unis |
| 1970 |
69th Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, États-Unis
American Artists of the Nineteen-Sixties, Contennial Exhibition, Boston University, School of Fine and Applied Arts, Boston, États-Unis
Color, UCLA Art Galleries, University of California, Los Angeles, États-Unis
Contemporary Painting and Sculpture, Wellesley College Museum, Jewett Art Center, Wellesley, États-Unis
Giant Images of Today, Everson Museum of Art, Syracuse, N.Y., États-Unis
35th Annual Exhibition, Butler Institute of American Art, Youngstown, États-Unis
Two Generations of Color Painting, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, États-Unis
Selections from the Mr. and Mrs. Robert A. Rowan Collection, Pasadena Art Museum, Pasadena, États-Unis
Painting and Sculpture Today, Contemporary Art Society and Indianapolis Museum of Art, Indianapolis, États-Unis
Color and Field: 1890-1970", Albright-Knox Art Gallery, Buffalo, États-Unis |
| 1969 |
Contemporary American Painting and Sculpture from the Collection of Mr. and Mrs. Eugene Schwartz, Everson Museum, Syracuse; University Art Gallery, State University of New York en Albany, États-Unis
New York Painting and Sculpture: 1940-1970, The Metropolitan Museum of Art, New York, États-Unis
Painting in New York: 1944-1969, Pasadena Art Museum, Pasadena, États-Unis
1969 Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, États-Unis |
| 1968 |
Whitney Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York
Documenta IV", Kassel, Allemagne
Signals in the '60's, Honolulu Academy of Arts, Honolulu, Hawaï
L'Art Vivant, 1965-1968, Foundation Maeght, St. Paul-de-Vence, France
Twentieth Century American Art, Albert Pilavin Collection, États-Unis
Selections from the Richard Brown Baker Collection, Art Galley, University of Notre Dame, Indiana, États-Unis
The Development of Modernist Painting: Jackson Pollock to the Present, Steinberg Art Gallery, Washington University, États-Unis
Gallery of Art, St. Louis, États-Unis
Concept, Vassar College Art Gallery, Poughkeepsie, N.Y., États-Unis
The Gosman Collection, Art Gallery of the University of Pittsburgh, Department of Fine Arts, Pittsburgh, États-Unis
American Art of the '60's, Toronto Private Collections, York University, Toronto, Canada |
| 1967 |
30th Biennal Exhibition of Contemporary American Painting, The Corcoran Gallery of Art, Washington, États-Unis
Form, Color, Image, Detroit Institute of Arts, Detroit, États-Unis
Ninth Tokyo Biennale, Tokyo, Japon
A Selection of Paintings and Sculptures from the Collections of Mr. and Mrs. Robert Rowan, University of California, Irvine; San Francisco Museum of Art, San Francisco, États-Unis
Focus on Light", The New Jersey State Museum, Trenton, États-Unis
Large-Scale American Painting", The Jewish Museum, New York, États-Unis
Torcuato di Tella International Prize Exhibition, Instituto Torcuato di Tella, Buenos Aires, Argentina
Art for Embassies, organisé par the Washington Gallery of Modern Art, États-Unis |
| 1966 |
Frankenthaler, Noland, Olitski, New Brunswick Museum, St. John; The Norman Mackenzie Art Gallery, University of Saskatchewan, Regina; The Mendel Art Center, Saskatoon; The Confederation Art Gallery and Museum, Charlottetown, Prince Edward Island, Canada
XXXIII International Biennial Exhibition of Art, United States Pavilion, Venice, États-Unis |
| 1965 |
Three American Painter (Noland, Olitski and Stella), Fogg Art Museum, Harvard University, Cambridge; Pasadena Art Museum, Pasadena, États-Unis
Ausstellung Signale, Kunsthalle, Basel, Suisse |
| 1964 |
New Directions in American Painting, Organisé par Rose Art Museum, Brandeis University, Waltham; exposé aussi : Munson-Williams-Proctor Institute, Utica; Isaac Delgado Museum of Art, New Orleans; Atlanta Art Association, Atlanta; J.B. Speed Art Museum, Louisville, Museum, Indiana University, Bloomington, Washington University, St. Louis, Detroit Institute of Arts, États-Unis
67th Annual American Exhibition, The Art Institute of Chicago, Chicago, États-Unis
The Atmosphere of 1964, Institute of Contemporary Art, University of Pennsylvania, États-Unis
Post Painterly Abstraction, Los Angeles County Museum of Art, Los Angeles, États-Unis
American Drawings, 1964, The Solomon Guggenheim Museum, N.Y, États-Unis |
| 1963 |
Recent Acquisitions, Museum of Modern Art, New York, États-Unis
Whitney Annual Exhibitions of Contemporary American Painting, Whitney Museum of American Art, New York, États-Unis
Three New American Painters: Louis, Noland Olitski, Norman Mackenzie Art Gallery, University of Saskatchewan, Regina, Canada
Aspects of 20th Century Painting, Worcester Art Museum, Worcester, Royaume-Uni
The Formalists, The Washington Gallery of Modern Art, Washington, États-Unis
Directions: American Painting, San Francisco Museum of Art, San Francisco, États-Unis |
| 1961 |
The 1961 Pittsburgh International Exhibition of Contemporary Painting and Sculpture, Department of Fine Arts, Carnegie Institute, Pittsburgh, États-Unis |
