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La prochaine fois, le feu - Kehinde Wiley & Alexandre Diop, Mentorship 2022, Reiffers Art initiatives, Acacias Art Center, Paris, France
Lux et Veritas, NSU Art Museum, Fort Lauderdale, Floride, États-Unis
Fictions of Emancipation: Carpeaux Recast, The Metropolitan Museum of Art, New York City, États-Unis
Artists Inspired by Music: Interscope Reimagined, LACMA, Los Angeles, États-Unis
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2021 |
30 Americans, Columbia Museum of Art, Columbia, États-Unis
Black Refractions: Highlights from the Studio Museum in Harlem, Frye Art Museum, Seattle, États-Unis
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2020 |
Memling Now, Sint-Janshospitaal, Bruges, Belgique
Black Refractions: Selections from The Studio Museum in Harlem, Utah Museum of Fine Arts, Salt Lake City, Utah; Frye Art Museum, Seattle, Washington; Smith College, Museum of Art, Northampton, Massachusetts, États-Unis
Impart Collectors’ Show, School of the Arts, Singapour, Singapour
TEXTURES: The History and Art of Black Hair, Kent State University Museum, Kent, Ohio, États-Unis
The Shape of Abstraction: Selections from the Ollie Collection, Saint Louis Museum of Art, Saint Louis, Missouri, États-Unis
Queen: From the Collection of CCH Pounder, The Charles H. Wright Museum of African American History, Detroit, Michigan, États-Unis
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2019 |
Kehinde Wiley in 30 Americans, Barnes Foundation, Philadelphia, États-Unis
Kehinde Wiley, Marina Abramović, Joseph Kosuth, and Kris Martin in Icons: Worship and Adoration, Kunsthalle Bremen, Bremen, Allemagne
Dawoud Bey and Kehinde Wiley in Afrocosmologies: American Reflections, Wadsworth Atheneum, Hartford, États-Unis
Street Dreams: how hip hop took over fashion, Kunsthal, Rotterdam, Pays-Bas
Comeback, Art historical renaissance in contemporary art, Kunsthalle Tübingen, Tübingen, Allemagne
On Their Own Terms, Windgate Centre of Art and Design, University of Arkansas, Little Rock, États-Unis
30 Americans, Joslyn Art Museum, Omaha, États-Unis
Dreamweavers, United Talent Agency Artist Space, Los Angeles, États-Unis
Beyond Truth: Photography after the Shutter, Cleveland Museum of Art, Cleveland, États-Unis
Black Refractions: Highlights from The Studio Museum in Harlem, The Museum of the African Diaspora, San Francisco; Gibbes Museum of Art, Charleston; Kalamazoo Institute of Arts; Smith College Museum of Art, Northampton; Frye Art Museum, Seattle; Utah Museum of Fine Arts, Salt Lake City, États-Unis
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2018 |
30 Americans: Rubell Family Collection, The Clay Center, Charleston; Mcnay Art Museum, San Antonio, États-Unis
America’s Presidents, National Portrait Gallery, Smithsonian Institution, Washington, États-Unis
Beyond Borders: Global Africa, University of Michigan Museum of Art, Ann Arbor, États-Unis
Breaking the Mold: Investigating Gender, Speed Art Museum, Louisville, États-Unis
Expanding Narratives: The Figure and the Ground, Smart Museum of Art at the University of Chicago, Chicago, États-Unis
Go Figure, The Pizzuti Collection, Columbus, États-Unis
Money with a Capital “M”, Haifa Museum of Art, Haifa, Israël
Reclamation! Pan African Works from the Beth Rudin DeWoody Collection, Taubman Museum of Art, Roanoke, États-Unis
RESPECT: Hip-Hop Style & Wisdom, Oakland Museum of California (OMCA), Oakland, États-Unis
Talisman in the Age of Di erence, Stephen Friedman Gallery, Londres, Royaume-Uni
Michael Jackson: On the Wall, National Portrait Gallery, Londres, Royaume-Uni
The World’s Game: Footbol and Contemporary Art, Pérez Art Museum, Miami, États-Unis
Rayski und die Jagd, Albertinum Museum, Dresde, Allemagne
Par amour du jeu 1998-2018, Magasins Généraux, Pantin, France
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2017 |
Art vs. Fetishism or The Utility of Idolatry, Pan American Art Projects, Miami, États-Unis
30 Americans: Rubell Family Collection, Tacoma Art Museum, Tacoma
Africa Pop Studio, Tang, Saratoga Springs, États-Unis
All Things Being Equal..., Zeitz Museum of Contemporary Art Africa, Cape Town, Afrique du Sud
Harlem: Found Ways, The Ethelbert Cooper Gallery of African & African American Art, Harvard University, Cambridge, États-Unis
Selected, Sean Kelly Gallery, New York, États-Unis
The Human Form, Berggruen Gallery, San Francisco, États-Unis
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2016 |
Open This End: Contemporary Art from the Collection of Blake Byrne Miriam and Ira D. Wallach Art Gallery, Columbia University, New York; Ronna and Eric Ho man Gallery of Contemporary Art,
Lewis & Clark College, Portland, États-Unis
40 Years Part 2: Gender. Race. Identity., Rhona Ho man Gallery, Chicago, États-Unis
A Material Legacy: The Nancy A. Nasher and David J. Haemisegger Collection of Contemporary Art, Princeton University Art Museum, Princeton, États-Unis
“BIG”, Bill Hodges Gallery, Brooklyn, États-Unis
Turn the Page: The First Ten Years of Hi-Fructose, Virginia Museum of Contemporary Art, Virginia Beach, États-Unis
30 Americans, Cincinnati Art Museum, Cincinnati, États-Unis
Contemporary Art, Princeton University Art Museum, Princeton, États-Unis
Framing Beauty, The Grundwald Gallery, Bloomington, États-Unis
In Context: Africans in America, Goodman Gallery and Johannesburg Art Gallery, Johannesburg, South Africa
Remix, Columbia Museum of Art,
Columbia, États-Unis
Uncommon Likeness: Identity in Flux,
Lincoln, États-Unis
Versus Rodin: Bodies across space and time, The Art Gallery of South Australia, Adelaïde, Australie
You go to my head, Galerie Templon,
Bruxelles, Belgique
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2015 |
Reality of My Surroundings: The Contemporary Collection, Nasher Museum of Art at Duke University, Durham, États-Unis
Open This End: Contemporary Art from the Collection of Blake Byrne, Nasher Museum of Art at Duke University, Durham; Ohio State University Arts Space, Columbus, États-Unis
In Pro le: Portraits from the Permanent Collection, The Studio Museum of Harlem,
New York, États-Unis
The Rise of Sneaker Culture, The Brooklyn Museum, Brooklyn, États-Unis
Portraiture Through the Ages, Agnews,
Londres, Royaume-Uni
I Like It Like This, Sotheby’s, New York, États-Unis
Twentieth Anniversary Exhibition, Stephen Friedman Gallery, Londres, Royaume-Uni
Rush20: 1995-2015, Rush Philanthropic Arts Foundation, Philadelphia, États-Unis
Fifteen x Fifteen, Bill Hodges Gallery,
Brooklyn, États-Unis
30 Americans, Detroit Institute of Arts,
Detroit, États-Unis
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2014 |
Black Eye, Concept NV, New York, États-Unis
History, Bill Hodges Gallery, Brooklyn, États-Unis
Africa Now: Political Patterns, Seoul Museum of Art, Seoul, Corée du Sud
Study from the Human Body, Stephen Friedman Gallery, Londres, Royaume-Uni
Somos Libres II, Pinacoteca Giovanni e Marella Agnelli, Turin, Italie
Masculine / Masculine. The Nude Man in Art from 1800 to the Present Day, Museo Nacional de Arte, Mexico City, Méxique
Footbol: The Beautiful Game, Los Angeles Museum of Art, Los Angeles, États-Unis
Face to Face, Wall to Wall, Yellowstone Art Museum, Billings, États-Unis
History, Bill Hodges Gallery, Brooklyn, États-Unis
Forms of Attraction: Kjaerholm, Tenreiro and Selected Works, Sean Kelly Gallery, New York, États-Unis
Other Ways; Other Times: In uences of African- American Tradition from St. Louis Collections, Philip Slein Gallery, St. Louis, États-Unis
The Figure in Process: de Kooning to Kapoor, 1955-2015, Pivot Art + Culture, Seattle, États-Unis
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2013 |
Les Aventures de la Vérité, Fondation Maeght, Saint-Paul de Vence, France
Masculin / Masculin. L’homme nu dans l’art : de 1800 à nos jours, Musée d’Orsay, Paris, France
Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, États-Unis
30 Americans, Milwaukee Art Museum, Milwaukee, États-Unis
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2012 |
Looped, Utah Museum of Contemporary Art, Salt Lake City, États-Unis
The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver; The Scottsdale Museum of Contemporary Art, Scottsdale, États-Unis
The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, États-Unis
30 Americans, Chrysler Museum of Art, Norfolk, États-Unis
All I Want is a Picture of You, Angles Gallery,
Los Angeles, États-Unis
BAILA con Duende, Watts Towers Arts Center and Charles Mingus Youth Arts Center Campus, Los Angeles, États-Unis
The Bearden Project, The Studio Museum in Harlem, New York, États-Unis
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2011 |
Parallel Perceptions, New York City Opera, New York, États-Unis
Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, États-Unis
Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, États-Unis
Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art, Duke University, Durham, États-Unis
Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM), Los Angeles County Museum of Art (LACMA), Los Angeles, États-Unis
Beyond Bling: Voices of Hip-Hop in Art, Ringling Museum of Art, Sarasota, États-Unis
30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, États-Unis
For a Long Time, Roberts & Tilton, Los Angeles, États-Unis
RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, États-Unis
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2010 |
Size Does Matter, FLAG Art Foundation, New York, États-Unis
Passion Fruits, Collectors Room, Berlin, Allemagne
The Global Africa Project Exhibition, Museum of Arts and Design, New York, États-Unis
Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Rohnert Park, États-Unis
Pattern ID, Akron Art Museum, Akron, États-Unis
Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, États-Unis
30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, États-Unis
The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor,
Vicki Myhren Gallery, University of Denver School of Art, Denver, États-Unis
Wild Thing, Roberts & Tilton, Los Angeles, États-Unis
Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, États-Unis
The Library of Babel / In and Out of Place,
176 Zabludowicz Collection, Londres,
Royaume-Uni
Searching for the Heart of Black Identity:
Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, États-Unis
From Then to Now: Masterworks Contemporary African American Art, Museum of Contemporary Art, Cleveland, États-Unis
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2009 |
Recon guring the Body in American Art, 1820-2009, National Academy Museum, New York, États-Unis
Creating Identity: Portraits, Today 21C Museum, Louisville, États-Unis
Other People: Portraits from Grunwald and Hammer Collections, Hammer Museum,
Los Angeles, États-Unis
Enchantment, Joselo Gallery, Hartford, États-Unis
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2008 |
30 Americans, Rubell Family Collection, Miami, États-Unis
Macrocosm, Roberts & Tilton, Los Angeles, États-Unis
21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, États-Unis
RECOGNIZE! Hip Hop and Contemporary Portraiture, National Portrait Gallery, Smithsonian Institution, Washington, États-Unis
Selected Drawings, Museum of Contemporary Art, Cleveland, États-Unis
Down, Museum of Contemporary Art,
Detroit, États-Unis
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2007 |
New York States of Mind, Queens Museum of Art, Queens, États-Unis
Crossing the Line: African American Artists in the Jacqueline Bradley and Clarence Otis Jr. Collection, Cornell Fine Arts Museum,
Orlando, États-Unis
Commemorating 30 Years (1976 – 2007): Part Three (1991 – 2007), Rhona Ho man Gallery, Chicago, États-Unis
The Blake Byrne Collection, The Nasher Museum of Contemporary Art, Duke University, Durham, États-Unis
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2006 |
Do Not Stack, Roberts & Tilton, Los Angeles, États-Unis
Black Alphabet: ConTEXTS of Contemporary African-American Art, Zacheta National Gallery of Art, Varsovie, Pologne
Down By Law, Wrong Gallery, Sondra Gilman Gallery, Whitney Museum, New York, États-Unis
Hangar-7 Edition 4, Salzburg Airport,
Salzburg, Autriche
Rede ned: Modern and Contemporary Art from the Collection, Corcoran Gallery of Art, Washington, États-Unis
Relics and Remnants, Jamaica Center for Arts and Learning, New York, États-Unis
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2005 |
Maximum Flavor, ACA Gallery, Atlanta College of Art, Atlanta, États-Unis
Neo-Baroque, Tema Celeste, Verona, Italia Neovernacular, Turner Gallery, Los Angeles, États-Unis
Kehinde Wiley/Sabeen Raja: New Paintings, Conner Contemporary Art, Washington, États-Unis
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2004 |
Eye of the Needle, Roberts & Tilton, Los Angeles, États-Unis
Glory, Glamour & Gold, The Proposition, New York, États-Unis
She’s Come Undone, Greenberg Van Doren, New York, États-Unis
The New York Mets and Our National Pastime, Queens Museum of Art, Queens, États-Unis
Beauty, Kravets + Wehby, New York, États-Unis
African American Artists in Los Angeles,
A Survey Exhibition: Fade, City of Los Angeles Cultural A airs Department, Los Angeles, États-Unis
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2003 |
Praha Biennale 1: Peripheries Become the Center, National Gallery, Veletrzni Palac, Praha, République Tchèque
Superreal, Marella, Milan, Italie
New Wave, Kravets Wehby Gallery, New York, États-Unis
Re: Figure, The Guhlberg Gallery, College of DuPage, Glen Ellyn, États-Unis
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2002 |
Painting as Paradox, Artists Space, New York, États-Unis
Mass Appeal, Gallery 101, Ottawa, Canada Ironic/ Iconic, The Studio Museum of Harlem, New York, États-Unis
Black Romantic, The Studio Museum of Harlem, New York, États-Unis
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2001 |
It’s Bigger Than Hip Hop, Rush Arts, New York, États-Unis |
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