Au bord des mondes – Prix Marcel Duchamp
On the occasion of the 24th edition of the Prix Marcel Duchamp, curated by Jeanne Brun, Abdelkader Benchamma will present his works and an in-situ installation from October 2, 2024 at the Centre Pompidou in Paris.
“There’s this idea of fragmentation of the world, of drawing. And these ideas become a little more visible with the breakthroughs offered by animated videos. Suddenly, you get a glimpse of another world, an apocalyptic future. […] This installation is an attempt to escape the binary system of figurative and non-figurative couple, real and imaginary, all those things that imprison and freeze us. I see the installation as an organism”
Abdelkader benchamma
In Abdelkader Benchamma’s work, drawing – his preferred medium – is not seen as a fixed object, defined by the rectangle of the sheet of paper, but as an energy that takes over space and time. The title of the installation, Au bord des mondes [At the Edge of the Worlds], is borrowed from contemporary philosopher Mohamed Amer Meziane. The work invites viewers to enter and examine a shifting landscape. The meaning of each drawn form is both offered and eluded, oscillating between figuration and abstraction, geological memory and contemporary apparitions, traces of the visible world and journeys towards other systems of interpretation of the world, whether spiritual or symbolic. Drawn in ink directly on the walls and then partially erased, this environment is also inlaid with other drawings and projections; it is a heterogeneous, impure and constantly fertile flow, in the image of thought itself. Going against a rationalist desire to understand the world fully and recognising that there is a certain amount that we never will, a certain amount of error and disquiet, this is the cost for the work to retain its power to reveal.
Created in 2000 by Gilles Fuchs, Founder and president of ADIAF, the Marcel Duchamp Prize aims to highlight the creative abundance of the French scene at the beginning of the 21st century and to support artists in their international career.
Each year, this collectors’ prize distinguishes one laureate among four French artists or artists living in France, working in the field of plastic and visual arts: installation, video, painting, photography, sculpture, performance and so on. Like the important artist who lends his name to it – and with the complicity of the Marcel Duchamp Association, which supports this initiative – it distinguishes the most significant artists of the French scene of their generation and encourages all new artistic forms that stimulate creation.
At this time, 85 artists, laureates and nominees, have been honoured by the Marcel Duchamp Prize, which over the years and exhibitions has become a true ambassador of the French scene. They represent unique insight into the vitality of French creation and offer an open vision of contemporary art in France.
Born in 1975 in Mazamet (France), Abdelkader Benchamma lives and works in Paris and Montpellier. Benchamma chooses to work in a sole medium: drawings. He adopts different approaches to the drawing process, sometimes moving across a sheet of paper with the meticulous strokes of an engraver, sometimes spreading over a wall with lavish gestures that appropriate the space. The matter escapes from the frame in a form of organic growth. Inspired by literature, philosophy, astrophysics and esoteric reflections, his works create visual scenarios that question our relationship to reality as they probe the frontiers of the invisible.