Group show
Le Festin de l’Art(Group Show)
Les artistes
Philippe Cognée was born in 1957 in Nantes, France, where he lives and works. His paintings use wax that is heated and crushed, producing a blurred effect and raising questions such as the thinning away of the image and the human condition in the light of humans’ relationship to their urban environment. The artist draws inspiration from photos and videos of elements such as motorways, buildings and aerial shots. His work questions the role of art in a society where new digital technologies have ushered in the era of the image, both omnipresent and diminished.
Born in 1974 in Mumbai, Jitish Kallat is one of the most promising artists of his generation. Jitish Kallat’s work, imbued with autobiographical, political and artistic references, forms a narrative of the cycle of life in a rapidly changing India. Weaving together strands of sociology, biology and archaeology, the artist takes an ironic and poetic look at the altered relationship between nature and culture.
Born in 1971, Ulrich Lamsfuss lives and works in Berlin. An appropriation artist who deliberately blurs the line between painting and photography, his work continues to call into question the very idea of originality. He works using photographs from a wide range of sources, including press, internet, sales catalogues, technical publications and art history. He painstakingly reproduces the photographs in oils to create a fresh interpretation of the chosen images.
Pierre was born in 1950 in La Roche-Sur-Yon, Gilles in Le Havre in 1953. They are internationally renowned artists who have been producing works together since 1976, creating a world where painting and photography meet. Their art is peopled by their friends and family, anonymous and famous, who appear in sophisticated life-size sets the artists build in their studio. They meticulously apply paint to the photographs once printed on canvas. Accomplished image creators, Pierre and Gilles have built up an extraordinary contemporary iconography on the frontier between art history and popular culture.
